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Tertiary

Marlene Steyn, The End is Located Underneath Her Third Armpit (if the muscle is flexed), 2015. Installation view: Commune.1
A review by Anna Stielau

Somewhere between Where’s Wally? and the Kama Sutra: Marlene Steyn’s Interior Worlds

The first group of 24 completed figures for the National Heritage Project on temporary exhibition at Oliewenhuis Art Museum. Image: National Heritage Project
A feature by Thuli Gamedze

Heritage For Sale: Bronze Casting and the Colonial Imagination

A review by

Chad Rossouw

Transparent Things: ‘Sightings’ at KZNSA

A student review by Philiswa Lila

Student Review: ‘Demo Tape’

A review by Lwandile Fikeni

The Stains of History: Haroon Gunn-Salie’s ‘History After Apartheid’

A picture collection by

Chad Rossouw

Alterity, Neutrality, Framing, #Feesmustfall

A student review by Stephanie Kambourakis

Student Review: Jodi Bieber’s ‘Between Darkness and Light’

A review by Lloyd Pollak

Colour, Blur, Memory: Kate Gottgens’ ‘Infinite Loop’

Candice Breitz, Her,1978-2008. Seven-Channel installation Duration: 23 minutes, 56 seconds
A feature by

Tim Leibbrandt

Meryls, Jacks and reading across artworks: in conversation with Candice Breitz

A story by Artthrob

The New York Times Magazine | Zanele Muholi

A story by Storm Janse Van Rensburg

Archive Dive: Sailing Forth

Broomberg & Chanarin, Rudiments, 2015. Installation view: Lisson Gallery
A picture collection by Artthrob

Broomberg & Chanarin, and Kennard

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Design by Blackman Rossouw

Claudette Schreuders, The Bystander 2. Lithographic print on cotton rag paper, 38 x 55.5 cm

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