• Skip to primary navigation
  • Skip to main content
  • Feature
  • Review
  • News
  • Archive
  • Things We Like
  • Shop

Tertiary

A feature by Gemma Hart

Different Energies: FNB Art Prize Winner Lady Skollie

A review by Gemma Hart

Tender and Troubling: Brett Charles Seiler’s ‘Closet’

A review by Misha Krynauw

Undoing of Form: Givan Lötz’s ‘Unearthly’.

A review by Vusumzi Nkomo

Defending Life: Barthélémy Toguo’s ‘Bilongue’

A feature by Artthrob

Trans­continental Dialogues: in Conversation with Laura Vincenti

A review by Misha Krynauw

Conservation Entropy: Ruby Swinney’s ‘Hold Still’

A review by Ashraf Jamal

Unstuck Segues: Moshekwa Langa’s ‘Tropic of Capricorn’

A review by Olga Speakes

Breathing Space: Cathy Abraham’s ‘A Deeper Kind of Nothing’

A feature by Artthrob

Investec Cape Town Art Fair 2020: ArtThrob chats to Nkule Mabaso and Luigi Fassi

A review by Lucienne Bestall

The Lives of Others: Gabrielle Goliath’s ‘This song is for…’

A feature by Ashraf Jamal

Ashes in Glass: David Reade and ‘Communion’ at Southern Guild

A review by

Tim Leibbrandt

Salem’s Lot: Simon Gush’s ‘Welcome to Frontier Country’

Newer posts

Nothing more to show!

No more pages to load

  • About
  • Advertise
  • Contact

Copyright © 2020 • ArtThrob

Design by Blackman Rossouw

William Kentridge, Act III scene 1, 2017. Linocut on paper with hand-colouring, 44 x 39.5cm

Buy

Great

Art