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Tertiary

A feature by Nkgopoleng Moloi

In Focus: Five Questions with Billie Zangewa

A feature by Nkgopoleng Moloi

In Focus: Five Questions with Remy Jungerman

A feature by Nkgopoleng Moloi

In Focus: Five Questions with Bulumko Mbete

A feature by Nkgopoleng Moloi

In Focus: Five Questions with Cathy Abraham

A review by Sihle Motsa

Haunting space of blue: Ruth Ige’s ‘Freedom’s Recurring Dream’

A review by Dinika Govender

Warm, soft, green: Zandile Tshabalala’s ‘Lovers In A Secret Place’

A review by Zoé Samudzi

Evasive ambiguity: Claudette Schreuders’ ‘Doubles’

A feature by Lindiwe Mngxitama

Of opaque tongues and a poetics of abstraction: A conversation with Kamyar Bineshtarigh 

A review by Misha Krynauw

Mutual Mutations: Jonathan Silverman’s ‘Mineral Vegetal Digital’

A review by Ashraf Jamal

Productive Anxiety: Christiaan Conradie’s ‘Against A Narrow Heart’

A feature by Thuli Gamedze

Rainbow Scale: Thebe Phetogo in conversation with Thulile Gamedze

A feature by Gemma Hart

Different Energies: FNB Art Prize Winner Lady Skollie

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Copyright © 2020 • ArtThrob

Design by Blackman Rossouw

Siemon Allen, Damaged Archive (Soweto), 2016. Archival pigment ink on Hahnemühle German Etching paper, Image size 51 x 51cm; Paper size 55 x 55cm

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