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A review by M Thesen Law

Understanding is the Proof of Error: ‘Notes on Paper’ at Lemkus gallery

A story by ArtThrob Editors

Best of 2025: Contributors’ picks

A review by Athi Mongezeleli Joja

Resubjugating the Black Body: A Review of Steven Cohen’s ‘Magog’

A feature by ArtThrob Editors

Inspired by Children: Five Questions with Shade Director, Tamzyn Botha

A review by Luca Evans

The Dog Is Chasing Its Tail: Tshepo Sizwe Phokojoe’s ‘The Gods Must Be Crazy’

A review by Tiyani Rikhotso

Precarious Times: Svea Josephy’s ‘Cities of the Future – In the Past’

A review by Lukho Witbooi

Signposts to Personality: Sthenjwa Luthuli’s ‘Umkhangu/Birthmark’ at the Norval Foundation

A feature by Nkgopoleng Moloi

Feminist Technoscience Critique: An Interview with Mindy Seu

A feature by ArtThrob Editors

Five Questions: Hamzeh Alfarahneh, curator of ‘By the Movement of All Things’

A feature by Nkgopoleng Moloi

The Journey Continues: Irma Stern Museum Public Consultation

A review by Nkgopoleng Moloi

To imagine a beautiful life as possible: ‘A Funeral For…’ by Zara Julius in collaboration with...'

A student review by Mbusi Mzolo

Ewww: Zama Cebsile Mwandla’s ‘Disgust, Fear and Hell’ at the KZNSA Gallery

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Richard Mudariki, Grilled, 2014. Chine-colle etching, 34 x 41 cm

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