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Best of 2024: Contributors’ picks
Meditations on Tracing: Lindokuhle Sobekwa’s ‘Umkhondo: Going Deeper’ at the Johannesburg Art Gallery
Making Worlds: Pamela Phatsimo Sunstrum’s ‘It Will End In Tears’ at the Barbican
Sites of Historical Accumulation: Vusumzi Nkomo’s ‘Propositions for dis-order’ at THK...'
Elemental Myths: Diana Vives’ ‘The Fire in the Mind’ at Everard Read CIRCA Gallery
Commanding Presence: Xanthe Somers’ ‘Invisible Hand’ at Southern Guild
Queer Joy: ‘Ne Keo Gopotse’ in Botswana
Showing The Making: Penny Siopis at The Centre for the Less Good Idea
Across The Atlantic: the 35th Bienal de São Paulo’s ‘choreographies of the impossible’...'
On Being: ‘Reflections: on Black girlhood’ at The Market Photo Workshop
Art and Other Actions: The circulation of excess in Paulo Nazareth’s ‘INTLANZI’
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