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Posts by category

• Category: photography
• Category: Primary
  • Ewww: Zama Cebsile Mwandla’s ‘Disgust, Fear and Hell’ at the KZNSA Gallery
  • Recalling: ‘Reflections of a Queen’ at AVA Gallery
  • After the Anthropocene: Stefan Raubenheimer’s ‘Remember This Land’ at AVA Gallery
  • What Remains: Adelheid Frackiewicz’s ‘Drawing the Line’ at AVA Gallery
  • Almost Being: Daneel Thumbiran’s ‘Brahmacarya’ at Bag Factory
  • Performative Stillness : Brett Charles Seiler ‘so many pictures, so little memories’
  • Revelling in Love and Joy: Shine Shivan’s ‘Basant’ at Stevenson
  • Category: Feature
    • ‘Freedom is what has been on my mind the most’: Kamyar Bineshtarigh reflects on the war in Iran
    • The Inaugural Cape Town Print Fair: An Interview with Breeze Yoko, Fair Director
    • A Practice of Freedom: Penny Siopis on her recent show, ‘Love in a Turning World’
    • Reflections on Iran: A Conversation with Sepideh Mehraban
    • Women, mahangu and memories: a conversation with Tuli Mekondjo
    • Concrete Affection: The International Festival of Films on Art (Canada)
    • Reflections from Madrid: Marsi van de Heuvel’s ‘Skoonveld’
    • Meeting in the Middle: Curatorial Practice in Durban
    • Fragile Forms: Warren Maroon earns recognition with the Investec Emerging Artist Award
    • Beyond the Frame: Investec Cape Town Art Fair’s ‘Cabinet/Record’
    • A Dangerous Precedent: Artist–Curator Team Responds to Court Ruling
    • Who’s afraid of the modernists: Older works to see in Cape Town
    • Echoes of Humanity: Investec Cape Town Art Fair’s SOLO section
    • Five Questions: Guy Simpson on his show ‘Was Here’
    • Five Questions: Alia’s ‘hayth taksib eishka, abqa’ at breakroom
    • Five Questions: Gregory Olympio’s ‘Vaisseaux’ at blank
    • This text is for Elegy: enacting solidarity that spans geography and time.
    • When Hesitation Becomes Policy: Venice Biennale, Censorship and Institutional Failure
    • Best of 2025: Contributors’ picks
    • Inspired by Children: Five Questions with Shade Director, Tamzyn Botha
    • Five Questions: Asemahle Ntlonti on her upcoming show, ‘Gqal’emgqubeni’, at blank
    • Feminist Technoscience Critique: An Interview with Mindy Seu
    • Five Questions: Hamzeh Alfarahneh, curator of ‘By the Movement of All Things’
    • The Journey Continues: Irma Stern Museum Public Consultation
    • To imagine a beautiful life as possible: ‘A Funeral For…’ by Zara Julius in collaboration with Zoé Samudzi
    • Bathing in Paradox: An Interview with Athi-Patra Ruga
    • Dialogue: Reflections on Contra.Joburg and FNB Art Joburg
    • Art in the Global South: An interview with Clive Kellner of the Joburg Contemporary Art Foundation
    • The Joyful & Painful Flow of Life: Bronwen Findlay’s ‘One thing leads to another’ at Oliewenhuis Museum in Bloemfontein
    • Africa’s Art Ecosystem: Five Essential Art Foundations
    • Where to go from here, there & everywhere: The 2025 Heat Festival
    • Beyond the White Cube: An interview with Dr. Same Mdluli on Standard Bank’s New Art Lab
    • Reclamation: ‘HOME’ at the doorstep of Bo-Kaap
    • Winter Warmers: Recommended Reading and Listening by our Contributors
    • A Grammar for the Future: The Institutional Artistry of Koyo Kouoh
    • On Circuitry and Iterative Practice: Yonela Makoba’s Ritual Studies
    • Freedom of Movement: Navigating Language and Landscape
    • In Focus: Five Questions with Billie Zangewa
    • In Focus: Five Questions with Remy Jungerman
    • In Focus: Five Questions with Bulumko Mbete
    • In Focus: Five Questions with Cathy Abraham
    • On Transformation: A Reflection on Warren Maroon
    • Exploring Difference: Albinism and Chiari Malformation in Contemporary Art
    • Best of 2024: Contributors’ picks
    • Grounded: Reflections on the radical praxis of Ayesha Price
    • Just Be: MADEYOULOOK at the 60th Venice Biennale 2024
    • Art and Athleticism: A reflection on the Olympics
    • Dancing Star: Daniel Stompie Selibe at Victoria Yards
    • Tracing the Body’s Language: Movement in Igshaan Adams’s Practice
    • Mythmaking: The Legacy of District Six’s Kewpie
    • Sensorial Communion: POOL’s ‘The Art of Bees and Gardens’
    • A Spotlight on Clay: Navigating the noise with ‘Art Formes’
    • Still Making Waves: The Casablanca Art School
    • Class is in Session: Knowledge Dissemination in Mawande Ka Zenzile’s ‘uZenzile akakhalelwa…’
    • Capturing Essence: Marlene Dumas’ ‘Portrait of Elisabeth Eybers’ at the Wits Art Museum
    • Refuge: A Tapestry of Contradictions and Convergence at the 2024 Lagos Biennial
    • R-E-S-P-E-C-T: Reflections on the 2024 Investec Cape Town Art Fair
    • Tracing Flows: The Fluvial Landscape in Abri de Swardt’s ‘Kammakamma’
    • Asserting Presence: Land and Colonial Histories in Goodman Gallery’s ‘Frameworks’
    • Beyond the White Cube: Art, Football, and Community in ‘Exhibition Match’
    • What Time Hides Forever in Plain Sight: The Timeliness of Adrian Fortuin
    • Materiality and Process: Nyakallo Maleke’s ‘Making Sense of The Same Story’
    • Black Imagination and Collective Memory: CHURCH at Investec Cape Town Art Fair
    • Generations: An interview with curators Natasha Becker and Amogelang Maledu
    • Best of 2023: Contributors’ picks
    • Retrospect: An interview with Thonton Kabeya
    • Painting now: Mia Chaplin, Jeanne Hoffman and Maja Marx
    • Editor’s Picks: FNB Art Joburg 2023
    • Q&A with FNB Art Prize winner: Lindokuhle Sobekwa
    • Ramshackle Review: Art in the Karoo
    • Don’t I know you from somewhere?: SA artists in Amsterdam
    • All that carries us: A Q&A with Zanele Muholi
    • Novelty index: RMB Latitudes Art Fair
    • The System Turn in Joburg Contemporary Art: Part II
    • Art as a rite of passage: ‘Portable Paradise’ at LAPA
    • In praise of studio visits: FEDE’s ‘Open Studio’
    • We are here now: South African artists make their mark in Chicago
    • Archive Dive: Ruth Sacks on the Trienal de Luanda
    • Archive Dive: James Webb on Mira Calix
    • The System Turn in Joburg Contemporary Art: Part I
    • Heritage for the future: An Interview with Islamic Arts Biennale Artistic Director Sumayya Vally
    • ‘Je est un autre’: Winnie Sze on Ernest Mancoba and Sonja Ferlov
    • Project Spaces Are Back!
    • Emerging markets: An Interview with Durban Art Fair Director Lungelo Mkhize
    • Curating albums: An interview with Sean O’Toole
    • The Ruse of Possibility: ‘A Different Now is Close Enough to Exhale on You’
    • In and Out of Time: An interview with curators Natasha Becker and Mariella Franzoni
    • Best of 2022: Contributors’ picks
    • Breaking Down the Walls: A Walkabout with Andrew Lamprecht
    • Rainmaker’s final deluge: The life and work of Samson Mnisi
    • Self and Soul: An interview with Yinka Shonibare CBE RA
    • Frieze is a lot: 2022 roundup
    • Restitution is warranted: Voti Thebe on Zimbabwe’s pioneering paintings
    • Against waiting, for repairing: MADEYOULOOK and Keleketla! Library at documenta fifteen
    • Sit down, be lumbung: Notes on documenta
    • FNB Art Joburg: An Editor’s Diary
    • A hydrocommons for longing: Passages at Church Projects
    • Spotlight on FNB Art Joburg: Editor’s picks
    • Connecting the dots: A conversation with Kim Kandan and Esi Aida Hayfron-Benjamin
    • Partnership is life: PLAYCE, Shade and Brixton
    • Mediator of curiosity: Mawande Ka Zenzile’s ‘Nqanda nanga’manzi engene’ndlini’
    • Moments before meaning: A conversation with Lerato Shadi
    • Of opaque tongues and a poetics of abstraction: A conversation with Kamyar Bineshtarigh 
    • Plus Ultra: Brett Shuman’s Signs and Sequences
    • Cape Town Art Fair: An Editor’s Diary
    • The softness of things: An interview with Mongezi Ncaphayi
    • Spotlight on Investec Cape Town Art Fair: ArtThrob writers weigh in
    • On Love, Death, and the Divine: Reading Gitte Maria Möller’s work through the Major Arcana
    • Spotlight on SOLO artists at Investec Cape Town Art Fair
    • Images in Communion: A Letter from the Editor
    • irregular notes
    • Entangled within a world of others: an interview with Gabrielle Goliath
    • Ideasthesia in Rehearsal: ‘Overnight Services’ at Javett Art Centre
    • Compositions that Sing: A Tribute to Louis Khehla Maqhubela (1939–2021)
    • In Bed with My Sister: Nico Athene’s ‘We Need New Archetypes’
    • Perversity-Divinity-Wonder: The AVA, 50 Years in the Making
    • Resist death, choose life: A conversation with Luyanda Zindela
    • Pivot Point: on Gaelen Pinnock and Mia Thom
    • Building Bridges: A conversation with ICTAF + miart
    • Segue In Blue: on Nelson Makamo’s Blue Series
    • Veiled Social Commentary: Wezile Mgibe’s ‘Umdiyadiya’
    • Black & Blue: On Khanyisile Mawhayi and Sabelo Mlangeni
    • Burden of Context: Zanele Muholi at Tate Modern
    • Two Nights in Joburg: On Pauline Gutter, Michael MacGarry, and Boemo Diale
    • Endless Journey: on Senzo Shabangu’s Landscapes
    • Four Emergency Rooms: On ‘Emerging Artists’
    • Rainbow Scale: Thebe Phetogo in conversation with Thulile Gamedze
    • Citizen homage: ‘Home is where the Art is’ at Zeitz MOCAA
    • Grace of Abstraction: On Mia Thom, Chris Soal, Jennifer Morrison, and Mark Rautenbach
    • Colouring Skin: On Tizta Berhanu, Thembinkosi Goniwe, and Dada Khanyisa
    • The Morality of Things: On Kendell Geers
    • Epiphany and Fragments: Simphiwe Ndzube, Pamela Phatsimo Sunstrum and Athi-Patra Ruga
    • Bad Education: Kemang Wa Lehulere
    • Sitting Together in the Darkness: Lindokuhle Sobekwa, Covid and Anxiety
    • Where AR we going?: Online experience at FNB Art Joburg
    • Different Energies: FNB Art Prize Winner Lady Skollie
    • Empathy Suite: On K Sello Duiker, Damien Hirst, and Mountain Retreats
    • Ghost in the Hotel: On James Webb, Guy Tillim, and Liza Grobler
    • Remembering Linda Givon
    • Pneuma: Swain Hoogervorst’s ‘In Between Spaces’
    • Making History: In Memory of Jürgen Schadeberg
    • Object Time: Materialism, Material Ecology, Matter and Stuff
    • On Reflection: Mirrors and Bodies
    • Literature and Linework: On Zona Magadla, Emma Richardson, and Dale Lawrence
    • Frequencies Too High: The Wretched and Dumile Feni at NAF
    • The Human Details: Remembering George Hallett
    • Four Crucibles: On Jane Alexander, Willem Boshoff, Ed Young, and Jake Michael Singer
    • Unfixed Unsettled Pink: On Yolanda Mazwana and Penny Siopis
    • Art and Solidarity: On Benefit and Charity
    • Radical Entropy: On Nolan Oswald Dennis, Tabita Rezaire, and Bogosi Sekhukhuni
    • Sense of Place: On Sitaara Stodel, Themba Khumalo, and MJ Lourens
    • Sympathetic Magic: On James Webb and Donna Kukama
    • Home is inside: On Neo Matloga, Ndijeka Akunyili Crosby and Lunga Ntila
    • One and Four Beds: Tshabangu, Walters, Gqunta, Katz, and Mellish
    • The Fantastic Trio: Simphiwe Ndzube, Nicholas Hlobo, and Pamela Phatsimo Sunstrum
    • The Wrong Window: Reflections on Empty Images
    • The sea is the theatre upon which the drama unfolds: John Akomfrah, Paul Maheke, Buhlebezwe Siwani, ruby onyinyechi amanze and Bouchra Khalili
    • Memory against forgetting: A tribute to Santu Mofokeng
    • Remembering Andrew Verster
    • The Limits of Categories: Ernest Mancoba Symposium at A4 Foundation
    • Spotlight on Art: Investec Cape Town Art Fair
    • Trans­continental Dialogues: in Conversation with Laura Vincenti
    • Investec Cape Town Art Fair 2020: ArtThrob chats to Nkule Mabaso and Luigi Fassi
    • Ashes in Glass: David Reade and ‘Communion’ at Southern Guild
    • Moments, Movement and Memory: in Conversation with Liza Grobler
    • In Conversation With Bronwyn Katz
    • Turning over the the Turbine Art Fair
    • Spotlight on FNB Art Joburg 2019
    • ArtThrob chats to Mandla Sibeko and Lucy MacGarry
    • FNB Art Joburg: Curators Nicole Siegenthaler and Banele Khoza on Gallery Lab
    • Soil and Dust and Hurt And Beauty: Modern Art Projects South Africa (MAPSA)
    • Remembering David Koloane
    • Motherhood in Motion: Amy Ayanda Lester’s ‘Return to Land; Return to Skin’
    • In Memory of David Koloane (1938-2019)
    • Time consciousness, and the Trouble with a Black Aesthetic
    • Venice Biennale 2019: In conversation with curators Nkule Mabaso and Nomusa Makhubu
    • Curatorial Care: A profile of Khumo Sebambo
    • He Takes Libraries With Him: A Personal Remembrance of Okwui Enwezor
    • From Our Archive: Remembering Okwui Enwezor
    • The Essence of Pan-African Arts at the Investec Cape Town Art Fair
    • A Time For Art
    • For Bisi Silva: A Personal Tribute
    • Spotlight on Investec Cape Town Art Fair 2019
    • Quality and Growth: In conversation with ICTAF’s Laura Vincenti
    • Investec Cape Town Art Fair: Reflections on 4 Years of Tomorrows/Today
    • Memory, metonym and optimism: in conversation with Alfredo Jaar
    • Minuments and Moreness: Richard John Forbes
    • Old Masters / New Realities and the Future of TMRW Gallery
    • The Masses Are Not Being Listened To: In conversation with Sam Nhlengethwa
    • Seeing Gifts and Stolen People: In conversation with Mmakgabo Mapula Helen Sebidi
    • Veiled Repositories: David Lurie’s ‘Daylight Ghosts’
    • Silent and Complex Histories: In conversation with Buhlebezwe Siwani
    • Confessional Documentary: Sabelo Mlangeni and Wolfgang Tillmans in Johannesburg
    • Keeping the Blinkers off: an Interview with Haroon Gunn-Salie
    • Space of pleasure: Billie Zangewa’s ‘The Garden’
    • Spotlight on FNB JoburgArtFair 2018
    • FNB JoburgArtFair ’18: ArtThrob chats to curator Amy Ellenbogen
    • A Painter of Real Life: On the work of Durant Sihlali
    • Before You Arrive We Were Here: Shuma Sopotela’s ‘Indlulamthi’
    • Strange Alchemy: Wolfgang Tillmans’s ‘Fragile’
    • A Tribute to David Goldblatt
    • In Memory of Bruce Arnott 1938-2018
    • ‘Both, And’ Interview: Stevenson at 15
    • The Believers: Sabelo Mlangeni’s ‘Umlindelo wamaKholwa’
    • Zeitz MOCAA: The Way Forward
    • The Paradox of Max Wolpe
    • The Geist in the Granary: What Zeitz MOCAA must exorcise
    • Different Realities: The Mixed Reality Workshop
    • The Sum of Its Parts: in Conversation With Gordon Froud      
    • Performative Politics and the Commoditisation of the Black Artist: Towards an Epidemiology of Institutional Whiteness
    • Sue Williamson’s Diary: Finding Mafalala and Nowruz
    • Searching for Ubuntu: An interview with Usha Seejarim
    • Spotlight on Investec Cape Town Art Fair 2018
    • Out The Box: A Profile of Vivien Kohler
    • Art collector scours Joburg for space large enough to house personal African Art collection, and ego
    • Bringing it Home: Curator Bisi Silva on El Anatsui’s ‘Meyina’
    • The Crumbling Edges: In Conversation with Virginia MacKenny
    • Sue Williamson’s Diary: Ten Days in Delhi
    • -arium: Interview with Jaco van Schalkwyk
    • FNB JoburgArtFair: In Conversation with Peju Alatise
    • Zeitz MOCAA is here
    • Spotlight on FNB JoburgArtFair 2017
    • 20 Years of ArtThrob: Our Past Editors Reflect
    • Penetrating the Impossible Space: Zanele Muholi’s ‘Somnyama Ngonyama’ in London
    • In Between Spaces: In Conversation with Ângela Ferreira
    • Sue Williamson’s Diary: Paris in the Springtime
    • Sci-Fi Social Commentary: Coby Kennedy on ‘SKIN OF THE THUG’
    • Venice Biennale 2017: ArtThrob talks Installation with Brendan Copestake
    • Resale Rights and Sustainability: In conversation with Aspire Auctions
    • Venice Biennale 2017: ArtThrob chats to South African Pavilion Curator Lucy MacGarry
    • Sue Williamson’s Diary: John Berger and the Apartheid Museum
    • Remembering Barend de Wet
    • Memorial Archive Dive: Barend de Wet
    • The Poetics of Remembrance as Resistance: The Work of Sethembile Msezane
    • Stepping Out of the Centre: Live Art Festival 2017
    • Cape Town Art Fair ’17: ArtThrob’s Must-See Highlights
    • Sculptures for the Internet: In conversation with Jake Singer
    • A Tribute to Judith Mason
    • Fissure and Dust: In Conversation with Lynette Bester
    • Cape Town Art Fair ’17: ArtThrob chats to Tumelo Mosaka
    • Cape Town Art Fair ’17: Meet the Artists of ‘Tomorrows/Today’
    • A Letter to Iziko Regarding ‘Our Lady’
    • The Exhibition that Missed its Audience: The Day Helen Sebidi Didn’t Meet the Students
    • Sue Williamson’s Diary: An interview with Okwui
    • ‘Material City’: Brett Charles Seiler chats to Sandile Radebe
    • Dialogue and value
    • Goodman Gallery Turns 50
    • Archive Dive: Goodman at 50
    • Departures and Unlearning: In conversation with Kyle Morland
    • Sue Williamson’s Diary: An interview with Camille Morineau
    • Open Dialog Box: ArtThrob chats to Claire May van Blerck
    • Playing with fire: Conversations with Lungiswa Gqunta
    • Owning History: In Conversation with Jody Brand
    • Run The World: In Conversation with Lady Skollie
    • FNB Joburg Art Fair 2016: TEDxJohannesburg Salon (Session Two)
    • Sue Williamson’s Diary: Where do I stand? What do I want?
    • FNB Joburg Art Fair 2016: TEDxJohannesburg Salon (Session One)
    • FNB Joburg Art Fair 2016: Interview with Nolan Oswald Dennis
    • Spotlight on FNB Joburg Art Fair 2016
    • Celebration and Speculation: Koloane, Masamvu, and Zvavahera
    • The Contemporaries: Jane Alexander
    • FNB Joburg Art Fair: ArtThrob chats to Artlogic Director Mandla Sibeko
    • A MAZE.: In Conversation with Olivié Keck and Evan Greenwood
    • The Contemporaries: Jo Ractliffe
    • The Contemporaries: Penny Siopis
    • The Contemporaries: Berni Searle
    • The Contemporaries: Mary Sibande
    • Art and Exchange: Zipho Dayile on Greatmore Studios
    • The Contemporaries: Zanele Muholi
    • Promised Land: A conversation with Siwa Mgoboza
    • Sue Williamson’s Diary: Blue days in Dakar, African videos in Washington and a party in Joburg
    • iQhiya: In Defense of Art Collectives
    • The Lion, the Witches, the Moon, the Star, Death and the Devil: A six card interview with Linda Stupart
    • Lessons in Conversation: An Interview with Katherine Bull
    • Skirting the Fine Line between Philanthropy and Exigency: Johannesburg Art Gallery
    • WhatsApp, Emails and Cape Town/Joburg Aesthetics: ArtThrob chats to SMITH and Kalashnikovv about ‘From Whence They Came’
    • Vertiginous Awe: Video Art and Internet Aesthetics
    • Sue Williamson’s Diary: A US marathon with a side trip to Dakar
    • A Place In Time: Interview With Helen Pheby
    • Action Intervention Hostess Team: Alma Martha
    • Crushing on rocks: Skye + Karin at GoetheonMain
    • Censorship doesn’t work bottom up: On the UCT art controversy
    • Sue Williamson’s Diary: Not since the painting of the Sistine Chapel …
    • Archive Dive: Moshekwa Langa
    • In or Out? Joost Bosland on Stevenson’s Ramp Project
    • A conversation with Roger Ballen: The Repressive Nature of Society
    • Sue Williamson’s Diary: Window over a lost district
    • “Wouldn’t it be great if Žižek were sponsored by Monster?” ArtThrob interviews Cameron Platter
    • History in a Different Form: An Interview With Sue Williamson
    • Spotlight on Cape Town Art Fair 2016
    • The Map is Not The Territory
    • Dematerialising the project space: JNR
    • Consuming Us: Q+A with Ruth Simbao and Azu Nwagbogu
    • Cape Town Art Fair: ArtThrob interviews director Matthew Partridge “I really think that it’s bringing the scene together in Cape Town”
    • Sue Williamson’s Diary: People Power
    • Immersed in History: Covers and Remixes in Recent South African Art
    • Summery Exhibition Summary
    • Best of the Year: ArtThrob’s lists
    • Recording RoseLee Goldberg
    • Heritage For Sale: Bronze Casting and the Colonial Imagination
    • Sue Williamson’s Diary: New York and Savannah
    • Screaming Zuma: Velázquez, Bacon and #feesmustfall
    • Alterity, Neutrality, Framing, #Feesmustfall
    • The Architecture of Hair
    • Intermedia and Social Critique
    • Meryls, Jacks and reading across artworks: in conversation with Candice Breitz
    • At the Corner of Polyester and Vine
    • This is not an interview: Houghton Kinsman in conversation with Alexandra Ross
    • Re-encountering ideas with joy and excitement: in conversation with Jared Ginsburg
    • A Farewell to our Editor Matthew Blackman
    • Sue Williamson’s Diary: A Very Late Entry
    • Recovering and Uncovering Wim Botha
    • Thania Petersen in conversation with Brett Seiler
    • Collaboration, Syncopation and Headless Corpses: In conversation with Jonah Sack
    • In conversation with Turiya Magadlela
    • Spotlight on FNB Joburg Art Fair 2015
    • Street artist booted from crew for using his own name
    • Make Friends. Influence People. A Brief History of Early Friday
    • Art fair forced to close early for having too few large, gloopy portrait paintings
    • Violence, malignancy and the continuing past: Mary Wafer chats to Michael Smith about her exhibition ‘Ninth Floor’
    • In Conversation with Monique Pelser
    • Sue Williamson’s Diary: Fireflies in a time of Greek crisis
    • Text Type Thing: Form and Content in Willem Boshoff’s Political Text Pieces
    • It’s Time To Talk About Value
    • The Kids Are Doing OK: Brand, Mogale and Nxumalo
    • Deborah Bell: ‘I don’t know if I summoned these figures or if they summoned me’
    • Sue Williamson’s Diary: Doing Venice
    • The Art of the Possible: Mawande Ka Zenzile
    • Sue Williamson’s diary: In the heart of the country
    • The Agonistic Politics of Burning Museum
    • Sue Williamson’s Diary: Venice and The World
    • An Open Letter to Jochen Zeitz and Mark Coetzee
    • One Minute Video: Kiluanji Kia Henda
    • Monologue: 1.648 Untitled
  • Category: News
    • An urgent call from artists and curators: 61st International Art Exhibition of La Biennale di Venezia 2026
    • In Minor Keys: Southern African artists in Venice
    • Goodman Gallery issues a statement: “We fundamentally support the right to freedom of expression.”
    • In Solidarity with Gabrielle Goliath: The Arts Community Issues a Statement and Petition
    • Statement on Venice Biennale: Ministry of Sport, Arts & Culture South Africa
    • Public Statement: The Selection Committee for the South African Pavilion at the 61st Venice Biennale, 2026
    • South African Pavilion 2026: Independent Curatorial Committee Announced
    • black, lesbian, socialist, mother, warrior, poet: Alice Diop’s ‘Fragments for Venus’
    • Long Life: Steven Cohen at Iziko South African National Gallery
    • 61st Venice Biennale: Open Call for The South African Pavilion
    • Call for Submissions: Javett-UP’s ‘Tlhagella Incubation Programme’
    • Proof of Life: Ravelle Pillay at the National Portrait Gallery
    • Tears Now But Heaven Tomorrow: An Exhibition Honouring the Legacy of Githan Coopoo
    • 2025 Sasol New Signatures: Honours student from Gqeberha take the prize
    • Lord, I gotta keep on (movin’): Athi-Patra Ruga at The Leslie-Lohman Museum of Art in New York
    • Diriyah Biennale 2026: South African Curator Kabelo Malatsie Joins International Team To Shape Biennale’s Third Edition
    • Watery Reflections: ‘And I, a newly evolved fish’ at The CHR’s Iyatsiba Lab
    • The Poetics of Quiet: Naledi Maifala Wins the 2025 ANNA Award
    • 2025 FNB Art Prize Winner: Maseru-based artist Thato Toeba
    • Toward a New African Art Discourse: Duke University Press to Release Okwui Enwezor’s ‘Selected Writings’
    • 2025 Rencontres d’Arles: South African Photographer Vuyo Mabheka Wins Prestigious Author Book Award
    • Cycladic Blues: Marlene Dumas at The Museum of Cycladic Art in Athens
    • Coded Language: ‘Ezrom Legae: Beasts’ at the High Museum of Art in Atlanta
    • New Photography 2025: ‘Lines of Belonging’ at MoMA
    • Preview: ArtThrob at the 12th edition of the Investec Cape Town Art Fair
    • La Biennale di Venezia: Koyo Kouoh appointed curator
    • Not All Travellers Walk Roads / Of Humanity as Practice: 36th Bienal de São Paulo
    • Tribute: Vuyile Cameron Voyiya (1961-2024)
    • Artists Announced: The 2024 South African Pavilion at the 60th La Biennale di Venezia
    • Contradictions of Looking: A (Final) Letter from the Editor
    • Spotlight: FNB Art Joburg 2023
    • Rest in peace: Andrew Da Conceicao
    • News Roundup: 20 January 2023
    • News Roundup: 9 December 2022
    • News Roundup: 2 December 2022
    • News Roundup: 18 November 2022
    • News Roundup: 11 November 2022
    • News Roundup: 21 October 2022
    • News Roundup: 7 October 2022
    • News Roundup: 30 September 2022
    • News Roundup: 23 September 2022
    • News Roundup: 16 September 2022
    • News Roundup: 2 September 2022
    • News Roundup: 19 August 2022
    • News Roundup: 12 August 2022
    • News Roundup: 5 August 2022
    • News Roundup: 29 July 2022
    • Marilyn Martin, former director of the South African National Gallery, passes
    • South Africa announces artists and curators for the 2022 Venice Biennale
    • Spotlight on Investec Cape Town Art Fair Digital Event 2021
    • 2016 FOURTHWALL BOOKS PHOTOBOOK AWARD
    • Spatial Stories | Topographies of Change in Africa
    • Documentary: Mark Landis
  • Category: Review
    • Curatorial Irreverence: ‘Fullhouse’ at blank projects
    • Hope and Nature: ‘I have made a place’ at Norval Foundation
    • More than just a 3D Portrait: Georgina Gratrix’s ‘The Reunion’
    • My Home and Your Home: ‘I have made a place’ at Norval Foundation
• Category: Secondary
  • Ridder Thirst and other readings one should ignore
  • AFRICAN ARTS CAMPUS 2015
  • Category: In Brief
    • Editor’s Letter: 25 Years of Art Writing in South Africa
    • News Roundup: 24 February 2022
    • News Roundup: 27 January 2023
    • News Roundup: 16 December 2022
    • News Roundup: 25 November 2022
    • News Roundup: 4 November 2022
    • News Roundup: 28 October 2022
    • News Roundup: 14 October 2022
    • News Roundup: 9 September 2022
    • News Roundup: 26 August 2022
    • Call for Proposals: the South Africa Pavilion at Venice Biennale 2022
    • Linda Givon 1936 – 2020
    • Social Impact Arts Prize 2020: Awarded Projects Announced
    • Rest in Peace: Andrew Verster (1937 – 2020)
    • Iziko Staff Picket for Pay
    • Social Impact Arts Prize 2020 Finalists Announced
    • Social Impact Arts Prize Launched
    • Bronwyn Katz wins FNB Art Prize
    • Joburg Art Fair Relaunches as FNB Art Joburg
    • Venice Biennale 2019: South Africa Pavilion Curatorial Statement
    • Koyo Kouoh Appointed Executive Director And Chief Curator Of Zeitz MOCAA
    • South Africa Announces Artists and Curators For Venice Biennale 2019
    • Statement by Mohau Modisakeng and Nomonde Mdebuka
    • Call for Proposals: South African Pavilion at Venice Biennale 2019
    • Zeitz MOCAA Inquiry: Coetzee Attempted to Stop Disciplinary Action
    • David Goldblatt 1930-2018
    • Inquiry launched into professional conduct of Zeitz MOCAA Director
    • DAC drops the 2018 Venice Architecture Biennale
    • Cape Town Art Fair 2018: Investec Announced as New Headline Sponsor
    • R.I.P. Gasworks & Triangle Network founder Robert Loder
    • Venice Biennale | Part 3
    • Venice Biennale 2017 | Part 2
    • Venice Biennale 2017 | Part 1
    • FNB Joburg Art Fair 2017 | Special Projects Guest Curator Announced
    • Roger Ballen Foundation and Eiger Foundation Establish Centre for Photography at Zeitz MOCAA
    • Cape Town Art Fair 2017 Update: Galleries and Highlights
    • Cape Town Art Fair Announces Tumelo Mosaka as New Curator
    • Gareth Nyandoro wins FT/OppenheimerFunds Emerging Voices 2016 Art Award
    • Simphiwe Ndzube wins Tollman Award
    • Mthethwa Trial Update: No.3
    • Commune.1 moves to Vancouver
    • Invitation to Tender: Venice 2017
    • Strauss & Co Bolstered by Heavyweights
    • Zanele Muholi wins ICP Infinity Award: Documentary and Photojournalism
    • Demystifying VANSA’s Norms and Standards Guidelines
    • Kemang Wa Lehulere wins Deutsche Bank’s Artist of the Year 2017
    • Obituary: David Brown (1951 – 2016)
    • David Brown (64) passes away
    • 2015 Gisèle Wulfsohn Mentorship in Photography Recipient Announcement
    • Mthethwa Trial Update: No.2
    • CTAF | Extracts from the Media Launch
    • AIR 2015 Award Laureates Announced
    • Artsy | 8 Projects Asserting Contemporary African Art’s Equal Standing to Unfold at The Armory Show
    • Naij.com interview performance artist Jelili Atiku about his recent arrest
    • Henri Matisse at Standard Bank Gallery in 2016
    • Memorial Service For Stephan Welz – Cape Town, 25 January 2016
    • Penny Siopis wins Helgaard Steyn Award for Painting
    • Lwandile Fikeni wins Arts Journalist of the Year
    • PARIS: AKAA Art Fair postponed
    • CIRCA Gallery London opens
    • 2016 Standard Bank Young Artist Award Winners Announced
    • Haroon Gunn-Salie wins SP Arte Award at Video Brasil
    • Khoisan Activist arrested for destroying bench
    • I wanna see it painted, painted, painted: ‘Paint it Black’ at Salon 91
    • Africa Centre’s Artist in Residency Programme
    • Turiya Magadlela wins the 2015 FNB Art Prize
    • GradEx Auction 2015
    • Masixole Feni wins Ernest Cole Award
    • On a Razor Edge: William Scarbrough’s ‘Weight of the World’
    • Useful Things to Do with an Irma Stern
    • Thursday Late at the Iziko South African National Gallery: FREE ADMISSION
    • Russian Film and Video Art night: AVA
    • Themba Shibase at the National Arts Festival 2015: Slightly Off Centre
    • Simon Gush: Nine O’Clock at Fort Selwyn
    • Athi-Patra Ruga at the National Arts Festival 2015: The Elder of Azania
    • Nine Artists in Nine Words
    • Lindsay Lohan ♥ Gerald Machona
    • Mthethwa Trial Update: No.1
    • Sex Workers Protest Outside Mthethwa Trial
    • Chris Burden Dies, Age 69
    • Venice Biennale: Artists and Vision Announced
    • Venice Curators Announced
    • Mthethwa Trial Postponed
    • Photographer Thabiso Sekgala 1981-2014
    • Director General of Department of Arts and Culture Suspended
    • Elizabeth Jane Balcomb wins Sasol New Signatures competition
    • A search for a missing painting by Penny Siopis
  • Category: in demand_
    • Mthethwa Trial | Sentencing Transcript
    • Mthethwa Trial | Sentencing Postponed, Bail Denied
    • Mthethwa Trial | Judgement transcript
    • Mthethwa Trial Judgement in brief
    • Mthethwa Trial | Judgement delivered: Guilty
    • Mthethwa Trial | Read the final arguments before 16th March 2017
    • A Letter to Iziko SANG and The New Church Museum
    • Mthethwa Trial Update No.11
    • Mthethwa Trial Update No.10
    • Mthethwa Trial Update No.9
    • Mthethwa Trial Update: No.8
    • Mthethwa Trial Update: No.7
    • Mthethwa Trial Update: No.6
    • Mthethwa Trial Update: No.5
    • Mthethwa Trial Update: No.4
    • A Mash-up of Deferred Reconciliation: Thando Mama’s ‘Of Nationhood/Desolation’
    • Ian Grose: On Art, materiality and materialism
    • Nothing Wrong with Speaking Back: Thoughts on an Exhibition
    • 2015 Artists In Residency (AIR) Programme | Call for Applications
    • Rewriting History: Kemang Wa Lehulere’s History Will Break Your Heart
    • With Pulp: Dominique Edwards’ ‘Buikspraak/Gutspeak’
    • The Falling Monument
    • What’s on your mind?
    • Interview with an Artwork: All of a Sardine
    • Murder trial of Zwelethu Mthethwa: Justice delayed
    • Student Review: Playing nicely?
  • Category: in lite_
    • Sue Williamson’s Diary: Remembering in Rwanda
    • Sue Williamson’s Diary: Last month at Art Basel
    • Artists Statements of the Old Masters
    • Escape from Fook Island
    • Matthew King, Some Jokes
    • One Minute Video: Dan Halter
  • Category: In Pictures
    • Art-Binge: Grad Show Edition 2020 [Michaelis School of Fine Art]
    • Art-Binge: Grad Show Edition 2020 [Wits Fine Art]
    • Art-Binge: Grad Show Edition 2020 [Stellenbosch and Cape Town Creative Academy]
    • Art-Binge: Grad Show Edition 2020 [Rhodes and Ruth Prowse]
    • Art-Binge: Stellenbosch Triennale
    • Art-Binge: Grad Show Edition 2019 [Michaelis]
    • Art-Binge: Grad Show Edition 2019 [Wits and Rhodes]
    • Art-Binge: Grad Show Edition 2019 [Cape Town Creative Academy and Stellenbosch]
    • Art-Binge: Joburg, September 2019
    • Art-Binge: Joburg, August(ish) 2019
    • Art-Binge: Joburg, July 2019
    • Art-Binge: Joburg, June 2019
    • Art-Binge: Joburg, May 2019
    • Art-Binge: Joburg, April 2019
    • Art-Binge: Joburg, March 2019
    • Art-Binge: Joburg, January/ February 2019
    • Art-Binge: Grad Show Edition 2018 [Stellenbosch and Michaelis]
    • Art-Binge: Grad Show Edition 2018 [Wits and Rhodes]
    • Art-Binge: Joburg, November/ December 2018
    • Art-Binge: Joburg, September/October 2018
    • Art-Binge: Joburg, May 2018
    • Art-Binge: Joburg, April 2018
    • Art-Binge: Joburg, March 2018
    • Art-Binge: Joburg, February 2018
    • Art binge: Grad Show Edition 2017. Michaelis and University of Stellenbosch
    • Art-Binge: Grad Show Edition 2017. Ruth Prowse, Wits and the university currently known as Rhodes
    • Art-Binge: Joburg, August/September 2017 Mega-binge
    • Art-Binge: Joburg, May/June 2017 Mega-binge
    • Art-Binge: Woodstock, June 2017
    • Art-Binge: Joburg, April 2017
    • Art-Binge: Joburg, March 2017
    • Art-Binge: Joburg, November 2016
    • Art-Binge: Cape Town, October(ish) 2016
    • Art-Binge: Joburg, October 2016
    • Art-Binge: Woodstock, September 2016
    • Art-Binge: Joburg, September 2016
    • Art-Binge: Joburg, August 2016
    • Art-Binge: Cape Town, July 2016
    • Art-Binge: Joburg, July 2016
    • Art-Binge: Woodstock, June 2016
    • Art-Binge: Joburg, June 2016
    • Art-Binge: Joburg, May 2016
    • Art-Binge: Cape Town, May 2016
    • Art-Binge: Joburg, April 2016
    • Art-Binge: Woodstock, April 2016
    • Art-Binge: Joburg, March 2016
    • Art-Binge: Cape Town, March 2016
    • Art-Binge: Joburg, February 2016
    • Art-Binge: Woodstock, February 2016
    • Art-Binge: Joburg, January 2016
    • Art-Binge: Art School Edition 2015
    • Art-Binge: Joburg, November 2015
    • Art-Binge: Joburg, October 2015
    • Frieze and 1:54, London 2015
    • Art-Binge: Cape Town, October 2015
    • Broomberg & Chanarin, and Kennard
    • Tyburn Gallery | Opening Night
    • Art Binge: FNB Joburg Art Fair 2015
    • Art-Binge: Joburg, August 2015
    • Art-Binge: Woodstock, August 2015
    • Wayne Matthews’ intriguing collages
    • EASY DOES IT | Josh Ginsburg & Christian Nerf
    • Photo Phriday @ Turbine
    • Art-Binge: Cape Town, July 2015
    • Printmaking at the AVA
    • Art-Binge: Woodstock, June 2015
    • Mashup
    • Subotzky and Waterhouse’s Ponte City
    • Lisa Brice in Venice: ‘Slip of the Tongue’
    • Lisa Brice in Venice: New Objectivity
    • Lisa Brice in Venice: Henri Rousseau
    • Ridder Thirst and other readings one should ignore
    • Lisa Brice in Venice: Peter Doig
    • Lisa Brice in Venice: Museo Fortuny
    • Lisa Brice in Venice: The Giardini
    • Lisa Brice in Venice: The Arsenale
    • Zombie Formalism
    • Art for Borneo: Art Exhibition and Auction
    • The End of the Rhodes – Video
    • Public Sculptures at UCT
    • The Claims of the Land
    • 10 Southern African Artworks Fusing Art and Science Fiction
    • Whose whose: Jared Ginsburg & Urs Fischer
    • Kerry Chaloner in conversation with Matthew Blackman brought to you by BOS Ice Tea
    • Whose whose: Chad Rossouw & Matthew Benedict
    • Between 10and5: An Interview With Mpumelelo Mcata About His Debut Film, ‘Black President’
  • Category: insight_
    • Shadows of Decadence: The Investec Cape Town Art Fair 2026
    • Reserved Judgement: Gabrielle Goliath and Ingrid Masondo have their day in court
    • Understanding is the Proof of Error: ‘Notes on Paper’ at Lemkus gallery
    • Resubjugating the Black Body: A Review of Steven Cohen’s ‘Magog’
    • The Dog Is Chasing Its Tail: Tshepo Sizwe Phokojoe’s ‘The Gods Must Be Crazy’
    • Precarious Times: Svea Josephy’s ‘Cities of the Future – In the Past’
    • Signposts to Personality: Sthenjwa Luthuli’s ‘Umkhangu/Birthmark’ at the Norval Foundation
    • Those who can: ‘IMPACT is a verb’ at FADA Gallery
    • Caught in the Matrix: ‘Force Majeure’ at Vela Projects
    • Of Rivers and Beauty: The 36th Bienal de São Paulo
    • The Underside of Making: Kamyar Bineshtarigh’s ‘Group Show’ at Southern Guild
    • Flight from Form: donna Kukama’s ‘Fire on the Mountain’ at blank
    • False Hope: Kamva Matuis’s ‘Spes Bona’ at Lemkus Gallery
    • New Suns: ‘Re:Fuse-Ability’ at FADA Gallery, University of Johannesburg
    • Poetic Impressions: Tumelo Mtimkhulu’s ‘I, one drop plus one drop makes a bigger drop, not two’ at Stevenson in Amsterdam
    • But there is one world: ‘Thresholds’ at Southern Guild in Cape Town
    • Sacred Earth: Mellaney Roberts’ ‘Waar Bloed Nie Loop Nie’ at Berman Contemporary
    • An Anxiogenic Bearing: Vusumzi Nkomo’s ‘Games of Property’ at blank
    • Tales of Nurture: ‘Motherhood – Paradox and Duality’ at the Iziko South African National Gallery
    • Making & Remembering: Aaron Philander’s ‘Nanna’s Kitchen’ at AVA Gallery
    • Reflections on City Life: Three Highlights from the RMB Latitudes Art Fair
    • To Mirror Unreality: Yolanda Li’s ‘Turning and Turning’ at Lemkus Gallery
    • There’s something I must tell you: Sue Williamson’s retrospective at the Iziko South African National Gallery
    • In Communion: Nolan Oswald Dennis’ ‘UNDERSTUDIES’ at Zeitz MOCAA
    • Between Folds & Forms: Usha Seejarim’s ‘Unfolding Servitude’ at Southern Guild
    • Unsettled landscapes: Simphiwe Ndzube’s ‘iNtwasahlobo’
    • Hosanna hodimo: ‘Faustus in Africa!’ by William Kentridge & Handspring Puppet Company at The Baxter Theatre
    • Dreams & Revelations: Portia Zvavahera’s ‘Zvakazarurwa’ at Kettle’s Yard, University of Cambridge
    • Anti-Contemporary: A round up of the 12th Investec Cape Town Art Fair
    • Made with Love: ‘Follies in the Veld’ (FITV) at The Ramp
    • Scars of the Land: ‘Destruction, Resilience, Namaqualand’ at AVA Gallery
    • Sacred Threads: Igshaan Adams’ ‘Holy Terrain’ at blank projects
    • For Dear Life: Penny Siopis’ retrospective at the National Museum of Contemporary Art in Athens
    • Newness Enters the World: Stevenson’s ‘When Works Meet’
    • The Kids Are Alright: Grad Show Roundup 2024
    • Threads of Resistance: ‘Unravel – The Power and Politics of Textiles in Art’ at Stedelijk Museum Amsterdam
    • Overflowing Swag: Stephen Langa’s ‘Inceptions of Black Serenity’
    • Washed out: Dale Lawrence’s ‘Over the outwash plain’ at RESERVOIR
    • Meditations on Tracing: Lindokuhle Sobekwa’s ‘Umkhondo: Going Deeper’ at the Johannesburg Art Gallery
    • Making Worlds: Pamela Phatsimo Sunstrum’s ‘It Will End In Tears’ at the Barbican
    • Sites of Historical Accumulation: Vusumzi Nkomo’s ‘Propositions for dis-order’ at THK Gallery
    • Elemental Myths: Diana Vives’ ‘The Fire in the Mind’ at Everard Read CIRCA Gallery
    • Commanding Presence: Xanthe Somers’ ‘Invisible Hand’ at Southern Guild
    • Queer Joy: ‘Ne Keo Gopotse’ in Botswana
    • Showing The Making: Penny Siopis at The Centre for the Less Good Idea
    • Across The Atlantic: the 35th Bienal de São Paulo’s ‘choreographies of the impossible’ in Luanda
    • On Being: ‘Reflections: on Black girlhood’ at The Market Photo Workshop
    • Art and Other Actions: The circulation of excess in Paulo Nazareth’s ‘INTLANZI’
    • Mutants, Matronae and Monsters: Pélagie Gbaguidi’s ‘The Colours are the Bark’
    • Undivided Divinity: ‘Willem Boshoff: Assemblage and Collage’ at the Villa-Legodi Centre for Sculpture
    • Divine Histories: Lady Skollie’s ‘GROOT GAT’ at Norval Foundation
    • Collective Memory: Sue Williamson’s ‘Short Stories in a Longer Tale’
    • Opening the Archive: Gavin Jantjes at Whitechapel Gallery
    • Echoes of the Past: Untold Intimacies in ‘Seasons of Longing’ Film
    • Spirits on a Human Path: ‘Ecospheres’ at the Joburg Contemporary Art Foundation
    • Sentimental assemblages: Stephané Conradie’s ‘Wegwysers deur die Blinkuur’
    • The People’s Painter: Esther Mahlangu’s ‘Then I Knew I Was Good at Painting’ at Iziko
    • Not Forever: Georgina Maxim’s ‘Telling Moments’ at Goodman Gallery
    • The Essence of Home: Ahlam Shibli’s ‘Dissonant Belonging’ at Luma Westbau
    • Perennial Bloomer: Hylton Nel’s ‘Things Made Over Time’ at Stevenson
    • A Feast of Storytelling: Lady Skollie’s ‘GROOT GAT’ at Norval Foundation
    • Alchemy of the Self: ‘Seekers, Seers, Soothsayers’ at Zeitz MOCAA
    • No Archive Will Restore You: ‘Time goes bye’ at The Ramp
    • Unearthly Delights: Tatenda Magaisa’s ‘It wearies me; you say it wearies you’ at Johannesburg Art Gallery
    • Between Worlds and the Sea: A reflection on KZN artists at the RMB Latitudes Art Fair 2024
    • Notes on Analogies: Peter Clarke and Robert Hodgins at Vela Projects
    • Of Love and Loss: ‘their closets, their caskets’ at Contra.Joburg
    • Beyond Laughter: ‘Funny as in funny peculiar not funny haha’ at breakroom
    • Things Long Forgotten: Bettina Malcomess’ ‘Sentimental Agents’
    • The middle stretch: ‘Things take time, time takes things’ at POOL
    • Mad World: The Art of Madame Zo
    • Foreigners Everywhere: A Diary from the 60th Venice Biennale
    • Lump in the bed: Gerda Scheepers’ ‘MOTHER BROTHER’
    • Interdisciplinary Methods: JCAF Journal and Robin Rhode’s ‘Pictures Reframed’
    • A Spotlight on Clay: Shaping Language with ‘Clay Formes’
    • The Pain of Others: Alfredo Jaar’s ‘The Geometry of Solitude’
    • Unraveling Narratives: Laura Lima’s ‘How To Eat The Sun and The Moon’
    • Encroaching on Eden: Spier Light Art 2024
    • Language in Sculpture: Anna Van Der Ploeg’s ‘Shorter this time’
    • Commodified terror: ‘Fear Fokol’ at The Bag Factory
    • Finding a Way: Thami Jali’s ‘Mphendla Ndlela’ at KZNSA Gallery
    • Unearthing Layers: Chris Soal’s ‘Surface Tension’
    • Sumptuous Materiality: Jeanne Gaigher’s ‘group-psyche’
    • Ruminations on the passage of time: Stevenson’s ‘I miss myself the most.’
    • A Blooming Ideology: Manyaku Mashilo’s ‘An Order of Being’
    • The Transience of Time: Zayaan Khan’s ‘A Practice in Light and Death’
    • The Walking Cure: Infecting the City 2023
    • Protagonists in blue: Lisa Brice’s ‘LIVES and WORKS’
    • Love is a Battlefield: Motlhoki Nono’s ‘The Weight of a Kiss’
    • Stilled Moments: Jared Ginsburg’s ‘Objects Move Across a Room’
    • As above, so below: Billy Langa at ‘Soil Conversations’
    • Notes on nature, notes on mattering: Nina Barnett and Jeremy Bolen’s ‘Between the Ballast and the Pine’
    • Sculpting time: Pamela Phatsimo Sunstrum’s ‘You’ll be sorry’
    • More Than Politics: ‘Past Disquiet’ at Zeitz MOCAA
    • Trust not knowing: ‘Artwords’ at Glen Carlou Gallery
    • Room for inner spaciousness: Mankebe Seakgoe & Tzung-Hui Lauren Lee’s ‘I hear you’
    • Conversations with terra: Io Makandal’s ‘Frondescent’
    • A story in blues, black and white: Robin Rhode’s ‘The Abandoned Garden’
    • Hidden Secrets: Emily Rae Smith Labuschagne’s ‘Playroom’
    • The archive effect: ‘Unbind’ at Goodman Gallery
    • Notes on dreaming in black: Phumzile Khanyile’s ‘Sabela Uyabizwa’
    • A need for care: Leila Abrahams in ‘Remedy’
    • Tension and compression: Warren Maroon’s ‘Well, There Goes That Dream’ and Kamyar Bineshtarigh’s ‘9 Hopkins’
    • Sixth Sense: ‘SENSES’ at Goethe-Institut
    • Open(ing) the City: Open City 2023
    • Reckoning with new audiences: FNB Art Joburg 2023
    • Return to the body: 35th São Paulo Bienal – choreographies of the impossible
    • Visual Dialectics: Blessing Ngobeni’s ‘Ntsumi Ya Vutomi’
    • Neither here, nor there: Inga Somdyala’s ‘As far as the sea’
    • Communing with the dead: Maggie Laubser’s ‘Portraits and the Landscape: 1886–1973’
    • The Body Has Many Shadows: The Sculptures of Sydney Kumalo and Ezrom Legae
    • Each line a reckoning: Portia Zvavahera’s ‘Pane rima rakakomba’
    • Plantation Inheritances: Zenaéca Singh in ‘US’
    • Otherscapes: A Meditation on South Africa’s Past, Present and Future
    • Tripping at the National Arts Festival
    • On the Structure(s) of Abstraction: Mongezi Ncaphayi’s ‘Standard of Language’
    • Lines of sight: Thato Toeba’s ‘Phate lia Lekana’
    • Convivial Tools: Khanya Mashabela’s ‘Common’
    • Story and symbol: Faith Ringgold and Hank Willis Thomas’ ‘Freedom is Going Home’
    • Process and practice: blank’s ‘IO’
    • Building worlds: ‘Juxtapositions: David Goldblatt and Unathi Mkonto’
    • Tell it slant: Kasia Stefańczyk and Johno Mellish at THK
    • The Thick of Things: Archive of Forgetfulness
    • A home of heavens: Shakil Solanki’s ‘The Pearl Fishers, Reprised’
    • The Other’s Dress: Joël Andrianomearisoa’s ‘My Heart Belongs To The Other’
    • I have lived everywhere, mostly on ships: Penny Siopis’ ‘Never The Same Water Twice: Nine Films (1997-2021)’
    • Time is an exaggeration: ‘The Future Is Behind Us’ at A4
    • The world in one drawing: Jan van Esch’s ‘Mitumba: Invasive Species’
    • Inviting good spirits: Buhlebezwe Siwani’s ‘iYeza’
    • Perception, Instability: Kamil Hassim’s ‘Event Horizon’ at Number Four
    • An ode to women’s protests: Sepideh Mehraban’s ‘Give Me Liberty or Give Me Death’
    • White People 101: Candice Breitz’s ‘Whiteface’
    • On (Re)generations: Sue Williamson and Lebohang Kganye at the Barnes Foundation
    • Reparative sublation: Lungiswa Gqunta’s ‘Sleep in Witness’
    • Unserious Art: Notes on the Cape Town Art Fair
    • Notes on precarity: Kemang Wa Lehulere’s ‘Bring Back Lost Love’
    • Pages as conduits: Dominique Cheminais’ ‘Things Done While Dreaming’
    • Pleasurable and sensory: ‘Seeds of the Fig’
    • Foreground subaltern voices: Mapula Embroideries’ ‘Hands Become Voices for Our Planet’    
    • Grounding & generative: ‘Process’ at FEDE Arthouse
    • Fresh and abuzz: ‘New Day’ at Graham Contemporary
    • Contemplating the monumental: Ledelle Moe’s ‘Fold’
    • Inbetweeness, self-(re)invention and unease: ‘Modernist Identities in the Global South’ at JCAF
    • Songezo Zantsi’s ‘IINKUMBULO’
    • Fragments and threads: Pippa Hetherington’s ‘Interlaced’
    • Wonders about the weight of Sundays: Dorothee Kreutzfeldt’s ‘the secret harpist’
    • ghouls, guts, dust: donna Kukama’s ‘Ways-of-Remembering-Existing’
    • An Afternoon with Dead Symbols
    • Journey from interiority: Cinthia Sifa Mulanga’s ‘In The Becoming’
    • Sound, light, movement: Warren Maroon’s ‘Reverence’
    • Notes on soil & the subsurface: Inga Somdyala’s ‘ADAMAH’
    • Treading dark waters: Ravelle Pillay and Nicholas Hlobo
    • A collective humming: Kamyar Bineshtarigh’s ‘Uncover’
    • Haunting space of blue: Ruth Ige’s ‘Freedom’s Recurring Dream’
    • Violence and longing: Is Ons Nog ‘n Ding? at Lizamore & Associates
    • Soul centre: Patrick Bongoy’s ‘Unseen Dimensions of the Known’
    • Tenuous human contact: ‘Hominal / Xaba’ at JOMBA! 2022
    • Asymptotic convergences: Wits Young Artist Award
    • In limbo: Alka Dass, Tyra Naidoo & Saaiqa’s ‘Fever, Returns’
    • Who was not invited?: ‘POWER Exhibition’ at Community ZA
    • Subverted structures: ‘Customs’ at A4
    • Warm, soft, green: Zandile Tshabalala’s ‘Lovers In A Secret Place’
    • Abstractions of home: ‘Home Strange Home’ at WITW X KRONE
    • Unsettling the surface: A speculative reading of El Anatsui’s ‘Freedom’
    • Atemporal Wonders: David Koloane’s ‘A Quiet Stature’
    • Elegant Inscrutability: Ronél De Jager’s ‘Still Here’
    • Notes on a Speculative Photo Album: Gabrielle Goliath’s ‘This song is for…’
    • Monstrous Elasticity: Ruth Sacks’ ‘The Remaindering’
    • Rot and rebirth: ‘Spring Awakening’ at Southern Guild
    • Material is the message: Nina Barnett & Jeremy Bolen’s ‘Weight in the Air’
    • Hybridity & the politics of the self: ‘Nguni – Kwelakithi’ at KZNSA
    • Speculative fiction and speaking in signs: Mack Magagane’s ‘Ellipse’
    • Images of shared history: ‘Photo book! Photo-book! Photobook!’ at A4
    • Testimony & activism: ‘When Rain Clouds Gather: Black South African Women Artists 1940 – 2000’ at Norval Foundation
    • Raw materials make magic: Bella Knemeyer and Unathi Mkonto
    • For the haunt: Chanelle Adams’ Ghost Tour of Camphor Avenue
    • Cortège, Collision, Composure, Ceremony: Shine Shivan and Jane Alexander in ‘Juxtapositions’
    • Sleepovers and Other Performances: ICA Live Art Festival 2022
    • Evasive ambiguity: Claudette Schreuders’ ‘Doubles’
    • Mutual Mutations: Jonathan Silverman’s ‘Mineral Vegetal Digital’
    • Interrupting the Archive: Luvuyo Equiano Nyawose’s  eBhish’
    • Pulling Forces: Antonia Brown and Matheline Marmy
    • Imaginal Renderings: ‘Seeing the Invisible’ in Kirstenbosch Gardens
    • Who Are We Now? ‘Liminal Identities in the Global South’ at JCAF
    • Abyssal simulacra: Phokeng Setai’s ‘This stays between you and me’
    • All artworks are vessels: ‘Falling Awake’ by Reservoir
    • Many threads in a small window: The Cubicle series at Everard Read
    • Not the only Modernist in town: The Zanzibari Years: Irma Stern
    • Ingestion and structural antagonisms: Johannes Phokela’s ‘Only Sun in the Sky Knows How I Feel – (A Lucid Dream)’
    • Deep Calls Unto Deep: Sibusiso Ngwazi’s Brilliant Wager
    • Viscous Porosity: Lukhanyo Mdingi & Jeanne Gaigher’s BRIDGES COLLECTION
    • Spectres of Memory: The Work of Thina Dube
    • To cast anew: ‘Everything was beautiful and nothing hurt’ at Open City
    • Images that Linger: Jo Ractliffe’s ‘Being There’
    • Acts of Composition at the Threshold: Amber Moir’s ‘Composition by Field’
    • Cartographic Entangle­ments: Nolan Oswald Dennis’s ‘conditions’
    • Everywhen: ‘Bathini Abafazi?’ at Gallery Fanon
    • Family albums: Lorraine Kalassa & Sitaara Stodel
    • To cry at nothing but pixels: ‘My whole body changed into something else’ at Stevenson
    • Return to source: Pyda Nyariri’s ‘Artist Room’
    • Among the Asphodels: Bronwyn Katz’s ‘ I turn myself into a star and visit my loved ones in the sky.’
    • Beauty and Prisons: ‘I have made a place’ at Norval Foundation
    • Desire Lines: Igshaan Adams’ ‘Kicking Dust’ at Hayward Gallery
    • Impossible Encounters: ‘Territories Between Us’ at ISANG
    • The Difference Between Losing and Getting Lost: Willem Boshoff’s ‘Word Woes’
    • Screening Connectivity: ‘Not Angels or Algorithms, Only Human Error’ at WHATIFTHEWORLD
    • Spiritual Cleansing: Pardon Mapondera’s ‘Hutsanana’
    • Effulgent Presence: Fanie Buys’s ‘Miss’
    • Erasure and Clarity: Jean Brundrit’s ‘Over the Horizon’
    • Bricolage and Schizophrenia: Stevenson’s ‘Studios’
    • Caught in a Boundary: Wim Botha’s ‘The River’
    • Earth and Self: Michele Mathison’s ‘Over and Over’
    • Material Frequencies: Paul Maheke’s ‘Vanille Bleu’
    • Radical (anti)citizenry: Meschac Gaba’s ‘Citoyen du Monde’
    • Borgesian Beauty: Kyle Morland’s ‘variations on a lofted bend’
    • Mutual Mourning: FAITH XLVII’s ‘CHANT’
    • Productive Anxiety: Christiaan Conradie’s ‘Against A Narrow Heart’
    • Restorative Nostalgia: Joël Mpah Dooh’s ‘Stories to Tell’
    • Platform Visibility: ‘Photographs in Our Mother Tongue’ at Standard Bank Gallery
    • A History of Disruption: Helena Uambembe’s ‘Commander Nel’s Archive’
    • Glimpse the Machinery: Deborah Poynton’s ‘Proverb’
    • Undulating Edges: ‘Emergence’ at FORMS Gallery
    • Wetting and Drying: ‘Fathom’ at Goodman Cape Town
    • Violence Turned In : Penny Siopis’s ‘Shame’
    • Discovery rather than creation: Bonolo Kavula’s ‘sewedi sewedi’
    • History is happening: ‘The thing itself exists everywhere’ at blank projects
    • Intimate Anecdotes: Brett Charles Seiler’s ‘Timber’
    • Degrees of comparison: Brett Murray’s ‘Hide’
    • Painting with Words and Brush: Misheck Masamvu’s ‘Talk to me while I’m eating’
    • As we were in company: ‘Mixed Company’ at Norval Foundation
    • Faces Without Features : Georgina Gratrix’s ‘The Reunion’
    • Movable Archives: Serge Alain Nitegeka’s ‘Lost and Found’
    • Solidity and Malleability: Rory Emmett’s ‘HEWN’
    • Memory in Purgatory: Neville Starling’s ‘Worlds are Made and Unmade’
    • Accumulations: Zander Blom’s ‘Garage-ism’
    • Capitalist Poetics: ‘The Spectacle’ at THEFOURTH
    • An enclosure and an opening: Jeanne Gaigher’s ‘tango’
    • Elastic Beings: Simphiwe Ndzube’s ‘The Fantastic Ride to Gwadana’
    • Rendering the Unseeable: on Pardon Mapondera
    • The Time of Waiting: Senzeni Marasela’s ‘Waiting for Gebane’
    • The Magic of Her Kingdom: Cassi Namoda’s ‘To Live Long is to See Much’
    • Carving Otherwise Futures: Jackson Hlungwani’s ‘Alt and Omega’
    • The Catalyst, Not the Error: Mame-Diarra Niang’s ‘Call Me When You Get There’
    • Earnest Creation: Lady Skollie’s ‘Bound’
    • Speak with the Eye: Frida Orupabo’s ‘Hours After’
    • What Grows: Io Makandal’s ‘Terra Visions’
    • New Lands: Asemahle Ntlonti’s ‘Nothwala impahlana’
    • Deep Seeing: ‘on sight: looking does not mean seeing’ at Michaelis Galleries
    • A Hero’s Journey: Pamela Phatsimo Sunstrum’s ‘Battlecry’
    • Emotional Cartography: Anna van der Ploeg’s ‘Map with Open Windows’
    • Hybrids and Trans­formations: ‘Contemporary Female Identities in the Global South’ at JCAF
    • Poetic Dismantling: Gerhard Marx’s ‘Near Distant’
    • Essential Work: Jabulani Dhlamini’s ‘the everyday waiting’
    • Depths of Dreaming: Akudzwe Elsie Chiwa’s ‘Nocturnes’
    • Let’s have a toast for the douche bags: Ed Young’s ‘I CAN SEE YOUR HOUSE FROM HERE’
    • Black to the Fullest: Musa N. Nxumalo’s ‘We Are Running Out Of Hashtags!’
    • Suppress the face and head: On self-portraits, Georgina Gratrix and Shane Malone
    • What’s been left behind: ‘Farewell to good good friends’ at SMITH
    • In Front Of That Light: Athi-Patra Ruga’s ‘Interior/Exterior / Dramatis Personae’
    • Process and tension: Jessica Webster’s ‘A Horse with No Name’
    • The Mind of the Stairs: ‘La courte échelle’ at Goodman Gallery
    • Portals to the Source: Pitika Ntuli’s ‘Azibuyele Emasisweni’
    • As below, so above: ‘Shaping Things’ at SMAC
    • Coded Inscriptions: Blessing Ngobeni’s ‘Chaotic Pleasure’
    • Dialogues in Waiting: ‘KWAAI Vol.3’ at Eclectica Contemporary
    • It is what it is: ruby onyinyechi amanze’s ‘the ones that stayed’
    • Spin Cycle: ‘Wild Wild Life’ at Glen Carlou
    • Ontological Recuperation: ‘Authenticité’ at Goodman Gallery
    • A Room with Many Views: ‘A Golden Spike’ at Goodman
    • Liberatory and Corrupt: Scum Boy’s online practice
    • Walk through, walk away: Thenjiwe Niki Nkosi’s ‘Gymnasium’
    • Natal Tongue: King Debs’ ‘Bokamoso (Future)’
    • Hesitant Corpor­eality: Stephen Allwright’s ‘Broken Face Soliloquies’
    • Mapping catastrophes: Pebofatso Mokoena’s ‘Internal Probes’
    • Capitalocene Crustaceans : Cameron Platter’s ‘Solid Waste’
    • Multiplicity of Knowing: Mawande Ka Zenzile’s ‘Udludlilali’
    • Looking Back to See Forward: ‘From the Vault’ at the Stellenbosch Triennale
    • Good Feelings for What?: Dada Khanyisa’s ‘Good Feelings’
    • The collection and its limits: ‘We’ve Come to Take You Home #1’ at Michaelis Galleries
    • Meta­stasised Plasti­glomerate: ‘Matereality’ at ISANG
    • What Remains: Kevin Beasley’s ‘without a clear discernible image’
    • Tender and Troubling: Brett Charles Seiler’s ‘Closet’
    • Casting Spells: The Stellenbosch Triennale
    • The Ground Itself: Michael Armitage’s ‘Accomplice’
    • Undoing of Form: Givan Lötz’s ‘Unearthly’.
    • Against Erasure and Forgetting: Sabelo Mlangeni and Igshaan Adams at blank projects
    • Defending Life: Barthélémy Toguo’s ‘Bilongue’
    • Network Not Hierarchy: Otobong Nkanga’s ‘Acts at the Crossroads’
    • Conservation Entropy: Ruby Swinney’s ‘Hold Still’
    • Unstuck Segues: Moshekwa Langa’s ‘Tropic of Capricorn’
    • Material, form and narrative: ‘Soft Architectures’ at Goodman
    • Breathing Space: Cathy Abraham’s ‘A Deeper Kind of Nothing’
    • The Lives of Others: Gabrielle Goliath’s ‘This song is for…’
    • Prodigal Provocateur: Kendell Geers’s ‘In Gozi We Trust’
    • Vulnerable Possible: ‘Risk’ at A4 Arts Foundation
    • What was remembered? Sepideh Mehraban’s ‘Until the lions have their own historians, the history of the hunt will always glorify the hunter’
    • Collectivity: Nelly Guambe’s ‘Caras’
    • Agua viva: Marlene Steyn’s ‘deep she dive her’
    • Salem’s Lot: Simon Gush’s ‘Welcome to Frontier Country’
    • The Shifting City: Sam Nhlengethwa’s ‘Joburg Selected’
    • The Sound in Our Heads: Jaco van Schalkwyk, Jenna Burchell, and Wayne Matthews’s ‘A Land I Name Yesterday’
    • Nothing to see here: Meleko Mokgosi’s ‘Objects of Desire, Addendum’
    • Petri Dish: Carol-Anne Gainer’s ‘Rock Dove Song’
    • Rocky Terrain: ‘rocks’ at the gallery
    • Thread Count: ‘Sans’ at OPEN 24 HRS
    • Comfort with Unknowing: ‘Speculative Inquiry #1 (On abstraction)’
    • Early Christmas: Fanie Buys’s ‘Happy Birthday Jesus!’
    • Weaving the Nest: Tanya Poole’s ‘Ancient Codes’
    • Away from Zero: Carrie Mae Weems’s ‘Over Time’
    • Once More, With Feeling: William Kentridge at Zeitz MOCAA
    • Listening to Paintings: Misheck Masamvu’s ‘Hata’
    • How To (Re)create Mitchell Gilbert Messina’s ‘Sure Thing!’
    • Necessary Discussions: Sue Williamson’s ‘That particular morning’
    • Rebirth and Recalibration: Nobukho Nqaba’s ‘Izicwangciso Zezethu’
    • Between Image and Life: Ashley Walters’ ‘Parallel’
    • I didn’t come here to party: ‘Shooting Birds’
    • Curious Celestial Phenomena: Scott Eric Williams and Friend’s ‘Portals’
    • Empathy and Sensitivity: David Koloane’s ‘A Resilient Visionary’
    • Mode of Mutuality: Io Makandal’s ‘Life in the entropics’
    • Rules and Isolations: Edson Chagas’ ‘Factory of Disposable Feelings’
    • Levels of tenderness: Sanell Aggenbach’s ‘The Heart Has Many Rooms’
    • Site of Memory: Berni Searle’s ‘A Place in the Sun’
    • Strength and Opacity: ‘The stronger we become’ at the 58th Venice Biennale
    • A Thing Woven: ‘Acts of Reading’ at Goodman
    • Identification and Deconstruction: Mikhael Subotzky’s ‘Massive Nerve Corpus’
    • One Hasty Day: National Arts Festival 2019
    • Joint-Solo: Dan Halter and Chris Soal at WHATIFTHEWORLD
    • Subjective Nationhood: ‘The Botswana Pavilion: No Return’ at Gallery MOMO
    • A Mask that Refuses to Dance: ‘40 Years of Collecting’ at Standard Bank Gallery
    • Banal and Celestial: Usha Seejarim’s ‘Transgressing Power’
    • Drowning and Denialism: Lady Skollie’s ‘Good & Evil’
    • Limits and Scales: Jo Ractliffe’s ‘Signs of Life’
    • Parallel Worlds, Partial Bodies: Michaela Younge’s ‘Nothing Bad’
    • Chicken and Egg: Maurice Mbikayi’s ‘Coucou Crumble’
    • Limits and Reveals: Ashley Walters’ ‘White City’
    • Interconnected Creation: Peter Eastman’s ‘Tangled Hierarchies’
    • Sacred shapes, transcendent paint: Portia Zvavahera’s ‘Talitha Cumi’
    • Making Art History: ‘IKHONO LASENATALI’ at KZNSA
    • Romance and Plasticine: Mia Darling’s ‘Things to Hide Behind’
    • The Tension of Passing Time: Jabulani Dhlamini’s ‘Isisekelo’
    • The Centre of a Star Of Lines: Connor Cullinan’s ‘11.11’
    • The Inverted Funnel: James Webb’s ‘Three Dreams of the Sinking World’
    • May Contain Trace Elements: Herman Mbamba and Cameron Platter’s ‘FR1000ID’
    • Intense Introspection, Uncanny Simplicity: Thandiwe Msebenzi and Bert Pauw at SMITH
    • Deadly Tranquility: Olivié Keck’s ‘Drop Dead Gorgeous’
    • Sculptural listening: ‘The Listening Room’
    • Shifting Cartography: ‘A Black Aesthetic’
    • Consoling Pleasures: Stephané E. Conradie’s ‘Domestic Lives, Nomadic Belongings’
    • Flâneurial Creations: Samson Kambalu’s ‘Nyasaland Analysand’
    • Catching the Wind: Yinka Shonibare’s ‘Trade Winds’
    • Staging Authenticity: Robert Slingsby’s ‘In/Dependence’
    • Super Spectacle: Ed Young’s ‘HERO’
    • How to Remember. How to Mourn: Patrick Bongoy’s ‘Remains’
    • Solace and Whispers: Simphiwe Buthelezi’s ‘Lala La’
    • Back to The Future: ‘Still Here Tomorrow to High Five You Yesterday’ at Zeitz MOCAA
    • Found rather than created: Marinella Senatore’s ‘Bodies in Alliance / Politics of the Street’
    • Archaeology of an Absence: Bronwyn Katz’s ‘/ // ! ǂ’
    • Prepossessing the Future: Zana Masombuka’s ‘Time’
    • Unwavering Versatility: Thania Petersen’s ‘IQRA’
    • Intrinsic Field: Wim Botha’s ‘Heliostat’
    • Uncovering Hidden Narratives: ‘Proclamation 73’ at Durban Art Gallery
    • Imagined Topographies: Gerhard Marx’s ‘Ecstatic Archive’
    • A Gathering of Sorts: Kaloki Nyamai’s ‘Mwaki Nginya Evinda Enge’
    • Resisting Categories: ‘Mating Birds Vol.2’ at KZNSA
    • The Grammar of Suffering: Nolan Oswald Dennis’s ‘Options’
    • Everyday dissolution: Mia Chaplin’s ‘Mouth’
    • Green Expectations: Jody Paulsen’s ‘Water Me’
    • Stone Cold: Alfredo Jaar’s ‘Men Who Cannot Cry’
    • Methodologies of Creative Practice: ‘Still Life & Life Drawings’ at ISANG
    • What being looked at feels like: ‘About Face’ at Stevenson
    • Emboldened Conversations: ‘KWAAI’ at Eclectica Contemporary
    • Towards a Queer Liturgy: ‘Sunday Service’ at GUS
    • Planted Knowledge: Uriel Orlow’s ‘Theatrum Botanicum’
    • A Spine Immersed in Water: Ernesto Neto’s ‘One Day We Were All Fish and The Earth’s Belly’
    • In the Between: Sam Nhlegethwa’s ‘Waiting’
    • Living, Breathing Past: ‘Not the Usual Suspects’ at ISANG
    • An Illumination of Self: ‘Continuing Conversations’ at UJ Gallery
    • AKAA: Reflections on African Art and Sepideh Mehraban’s ‘Cape to Tehran’
    • The Troubles of the Neck: William Kentridge’s ‘Kaboom!’
    • What lies beyond: ‘9 More Weeks’
    • Preeminent Staging: Serge Alain Nitegeka’s ‘Innate Black’
    • A Reverie: ‘Kewpie: Daughter of District Six’ at District Six Museum Homecoming Centre
    • Compulsive Storytelling: Kemang Wa Lehulere’s ‘not even the departed stay grounded’
    • Tending to the Past: ‘In Context / This Past Was Waiting for Me’ at Goodman Gallery
    • Distinctive Celebrations: Yinka Shonibare’s ‘Ruins Decorated’
    • Another Eden: Ruby Swinney’s ‘Human Nature’
    • Counter-Narrative Sci-Fi: Pamela Phatsimo Sunstrum’s ‘There are Mechanisms in Place’
    • Shared Commitments: David Goldblatt & Peter Magubane’s ‘On Common Ground’
    • Familial Prism: Jabu Nadia Newman’s ‘Mokwena Macquena Mac Quene’
    • You’ll always stay here in my heart: Dineo Seshee Bopape’s ‘Untitled (Of Occult Instability) [Feelings]’
    • Augmented with Reality: ‘Back to the Future III’ at SMAC
    • Fragile Chaos: Bevan De Wet’s ‘Drawing on Entropy’
    • Rewired Materiality: Rowan Smith’s ‘Dead Centre’
    • Awakenings: Amalgamations of Lionel Davis
    • Intimacy or Darkness: ‘Close Encounters’ at Smith
    • Uncanny Nostalgia: Igshaan Adams’ ‘When Dust Settles’
    • Partly here: Nourhan Maayouf’s ‘The Sea is Closed: Shallow Waters’
    • Hidden Soliloquys: Jabulani Dhlamini’s ‘iQhawekazi’
    • Thin Black Line: Blake Daniels and Dorothee Kreutzfeldt’s City Without a Sun
    • Immersive Intelligence: Mary Sibande’s ‘A Crescendo Of Ecstasy’
    • Masterful Visceral: Lungiswa Gqunta’s ‘Qwitha’
    • Complicit Abstraction: Penny Siopis’ ‘This is a true story’
    • Connection in the Age of Connectivity: Dada Khanyisa’s ‘Bamb’iphone’
    • Smoke Gets In Your Eyes: Lisa Brice at Tate Britain
    • Surrealism and the Self: Chris Soal’s ‘Orbits of Relating’
    • Throwing Shade: ‘Shady Tactics’ at SMAC
    • No Less Good: ‘Desert’ at the Centre for the Less Good Idea
    • Material Meditations: Nicholas Hlobo and Cinga Samson’s ‘Umthamo’
    • No Heroes Outside: Broomberg & Chanarin’s ‘Bandage the knife not the wound’
    • Fragments on Belinda Blignaut’s ‘Thrown’
    • Filling the Void: Zander Blom’s ‘Posters and Paintings’
    • Repetition Fatigue: Dan Halter’s ‘Patience Can Cook a Stone’
    • Beauty and Destruction: Matthew Hindley’s ‘Survey of Risk’
    • Funny Not Funny: Fanie Buys’ ‘This Man’
    • Professional Confessional: Banele Khoza’s ‘LOVE’
    • Fleeting Traces: Thierry Oussou’s ‘Before It Is Completely Gone’
    • Profiling: Candice Breitz’ ‘Love Story’
    • Ties That Bind: ‘I Am Because You Are: A Search For Ubuntu’ at the Standard Bank Gallery
    • Anatomy of (Collective) Apathy: Blessing Ngobeni’s ‘Enemy of Foe’
    • Pretty Vacant: ‘New Romantics’ at Barnard Gallery
    • Binary Coded: ‘POSTDIGITAL’ at Kalashnikovv
    • A Subtle Benediction: Igshaan Adams’ ‘Al Latîf’
    • Not Blue Enough: Ghada Amer & Reza Farkhondeh’s ‘Love is a Difficult Blue’
    • The Crown Ain’t Worth Much but I Got It from My Momma: Athi-Patra Ruga’s ‘Queens in Exile’
    • Amplified Eye: Masixole Feni’s ‘Drain on our Dignity’
    • Action/Reaction: John Murray’s ‘Aftermath’
    • Resin and Wonder: Kiluanji Kia Henda’s ‘In the Days of a Dark Safari’
    • The Movement of Stone: Michele Mathison’s ‘States of Emergence’
    • Endless Possibilities: Maaike Bakker’s ‘Beyond the Vanishing Point’
    • Tillim and the Demanding Gap: Guy Tillim’s ‘Museum of the Revolution’
    • Without Walls: South Africa at Performa 17
    • Inside and Outside the Image: Nigel Mullins’ ‘Artefacts from the Anthropocene’
    • Woven Narratives: Priya Ramrahka’s ‘A Pan African, Perspective 1950 – 1968’
    • What you need in the afterlife: Steven Cohen’s ‘put your heart under your feet… and walk!’
    • In Search of Hidden Truths: Kapwani Kiwanga’s ‘The Sun Never Sets’
    • Waking From Dreams of Democracy: Kudzanai Chiurai’s ‘We Live in Silence’
    • Outside of Time: ‘A Continent Beyond’ at Gallery MOMO
    • Mining Memories for Meaning: Moshekwa Langa’s ‘Fugitive’
    • 14 Notes on ‘Dislocation’ at Everard Read, Cape Town
    • Blue-collar Banter: Rory Emmett and Ronald Muchatuta at the AVA Gallery
    • Space is our Place: Todd Gray’s ‘Pluralities of Being’
    • Ghost Stories: Bronwyn Katz’s ‘Grondskryf’
    • Joburg Art Fair talks and discussions
    • I Know You’ll Win in the End: Ed Young’s ‘Cash or Card’
    • Poignant Re-presentation: Hasan and Husain Essop’s ‘Refuge’
    • Movement Ensnared: Pierre Fouché’s ‘Vreesaanjaende Verligting’
    • Singing History: Dineo Seshee Bopape’s ‘Sa Koša Ke Lerole’
    • The Relevance of Warhol: ‘Warhol Unscreened’ at WAM
    • Offerings from the Post-colony: ‘Looking After Freedom’ at Michaelis Galleries
    • Material Friction: Sarah Biggs’s ‘Waiting for Rain’
    • Curiosity and Connection: ‘Calibrating Wonder*’ at SMITH Studio
    • Overlaps and Organisms: Beth Diane Armstrong’s ‘in perpetuum’
    • The Songs We are Taught to Sing: Kemang Wa Lehulere’s ‘Bird Song’
    • Defining Excellence: Jody Brand’s ‘You Can’t Keep a Good Woman Down’
    • Weights and Measures: Ruann Coleman’s ‘Certain Lengths’
    • Shadows on the Moon: Mounir Fatmi’s ‘Fragmented Memory’
    • Agency and Amor Fati: Michael MacGarry’s ‘Show No Pain’
    • Bearers of Memory: Georges Senga Assani’s ‘Cette maison n’est pas à vendre et à vendre’
    • Invisible, Intangible, Insensible: Barbara Wildenboer’s ‘The Invisible Gardener’
    • Ends and Means: Swain Hoogervorst’s ‘Searching Eudaimonia’
    • Stranded Action: Musa N Nxumalo’s ’16 Shots’
    • Digital Utopia: Tabita Rezaire’s ‘Exotic Trade’
    • Unsettling Fecundity: Viviane Sassen’s ‘Of Mud and Lotus’
    • The Sanctuary Disturbed: Jessica Webster’s ‘Wisteria’
    • The Cutting Room Floor: Rebecca Haysom’s ‘The Tiger’s Bride’
    • Trace Decay: Sanell Aggenbach’s ‘Bend to Her Will’
    • Constructed Cities: Dorothee Kreutzfeldt’s ‘Extensions to the Lot Line’
    • Manufacturing Otherness from Within: Mikhael Subotzky’s ‘WYE’
    • Specificity and Abstraction: Gabrielle Raaf’s ‘Trail’
    • 😂 Until You 😭: Brett Murray’s ‘Again Again’
    • Tracks and Traces: Andrew Tshabangu’s ‘Footprints’
    • Backwards and Forwards: Thania Petersen’s ‘Remnants’
    • Black Art, White Galleries: Blessing Ngobeni’s ‘Masked Reality’
    • Imagining the Spoken Colour of Skin: Lakin Ogunbanwo’s ‘We Must Not Be Looking’
    • A Sisyphean Push: Jody Paulsen’s ‘Pushing Thirty’
    • Conundrums that Tear at the Psyche: Clive van den Berg’s ‘A Pile of Stones’
    • On Product Versus Process: Robin Rhode’s ‘Paths and Fields’
    • Playing not practicing: Jared Ginsburg’s ‘Interludes’
    • Between love and dreams: Portia Zvavahera’s ‘What I See Beyond Feeling’
    • Fissures: ‘Negative Space’ at Whatiftheworld
    • Floating Critique: ‘1% Privilege in a Time of Global Inequality’ at Chavonnes Battery Museum
    • Work, work, work: ‘Women’s Work’ at ISANG
    • Enigmatic Yarn: Nicholas Hlobo’s ‘Sewing Saw’
    • Students of this black culture: ‘Black Portraiture[s]’ Conference
    • To Support the Substance: ‘Selling the Shadow’ at MOMO
    • Time Waits for No One: Joël Mpah Dooh’s ‘Since We Last Met’
    • Kiss Kiss (or, The Void Vores Back): Frances Goodman’s ‘Degreened’
    • Perched at the edge of Precarity: Simphiwe Ndzube’s ‘Becoming’
    • Polysemic Seas: ‘Liminal Geographies’ at Barnard Gallery
    • Rolling Lawns and Exorcisms: Josie Grindrod’s ‘Last Light’
    • Makube Njalo: Athi-Patra Ruga’s ‘Over the Rainbow’
    • The Many Atkinsons: Kevin Atkinson’s ‘Re-opening Plato’s Cave’
    • In Context: Frieze London and 1:54
    • Fading Light: ‘Nocturne’ at Everard Read
    • Voice and Visibility: Zanele Muholi’s ‘Faces and Phases 10’
    • The Spectacle of Poverty: The Brother Moves On at Goodman Gallery
    • Stranger Things: Igshaan Adams’ ‘Oorskot’
    • Donation by ArtThrob to ILAM with every Siemon Allen print sold!
    • The spring show and the end of history
    • Entwined Narratives: Shirin Neshat’s ‘Dreamers’
    • Bracketing Realism and Abstraction: Deborah Poynton’s ‘Picnic’
    • Past and Present Struggles: ‘The Art of Disruptions’ at ISANG
    • Blood on the leaves and blood on the root: Barthélémy Toguo’s ‘Strange Fruit’
    • Rhythm and Keening: Matisse at the Standard Bank Gallery
    • A Dark Ascending Horizon: Alexandra Karakashian’s ‘Ground’
    • Tributes and tributaries: ‘The Quiet Violence of Dreams’ at Stevenson
    • Making History: Kemang Wa Lehulere’s ‘The Knife Eats at Home’
    • Yoking together post-colonial Africa: Michael MacGarry’s ‘Between Rot and Genesis’
    • Sex and Loneliness: Banele Khoza’s ‘Temporary Feelings’
    • Xenoglossia: ‘Paradoxal Stranger’ at Gallery MOMO
    • █████████: Vincent Bezuidenhout’s ‘Fail Deadly’
    • Peripheral Perspectives and the Question of the Land: Mohau Modisakeng’s ‘Lefa La Ntate’
    • The City and The City: Kendall Buster’s ‘dis-assembling utopia’
    • Escape Fantasies and the Fountain of Youth: Pieter Hugo’s ‘1994’
    • Politics, Paint and Parallels: ‘Continuum’ at the National Arts Festival
    • A River of Blood Flows: Lerato Shadi’s ‘Noka Ya Bokamoso’
    • The Black Woman’s Gaze: Florine Demosthene’s ‘The Burst’
    • Monochromatic polymorphism: Barend De Wet’s ‘Black, White and Everything In-Between’
    • Interiors and Exteriors: ‘Home Truths’ at iSANG
    • The One With the Couch: Gerda Scheepers’ ‘Sitcom’
    • Floating in a Mind Map: Moshekwa Langa’s ‘Ellipses’
    • Copper Sheen and Stark Reflections: Rowan Smith & Xhanti Zwelendaba’s ‘Chamber of Mines’
    • Emptied-Out Land Myths: Walter Meyer’s ‘Hinterland’
    • Monumental Reassessment: ‘New Monuments’ at Commune.1
    • Maths and Bodies: Pamela Phatsimo Sunstrum’s ‘Polyhedra’
    • Disconcerting Securities: Carla Busuttil’s ‘choice.click.bait.’
    • Singing Agnus Dei in the shower: Jake Singer’s ‘CATASTROPHES’
    • Anxious Landscapes: Pastoral Abstraction at Everard Read
    • Gory Impasto: Johann Louw’s ‘Loog’
    • Imaginary Arcs: Roger Palmer’s ‘Spoor’
    • Centering the human as the site of memorial: Jabulani Dhlamini’s ‘Re-Capture’
    • Gold mine or mine field? Jonah Sack’s ‘Obstruction’
    • Diary and Materiality: Mawande ka Zenzile’s ‘Mawande ka Zenzile’
    • Dead Men, New Paintings: Zander Blom’s ‘New Paintings’
    • The Exile of Local Icons: Michael Linders’ ‘Exile’
    • A Comradeship of Stillness: Meleko Mokgosi’s ‘Comrades’
    • The absence of knowledge through the excess of media: Alfredo Jaar’s ‘Amilcar, Frantz, Patrice and the Others’
    • Reverberating Sounds of Things to Come: James Webb’s ‘Ecstatic Interference’
    • The Queen of Titivation and Prink: Georgina Gratrix’s ‘Puppy Love’
    • A Deeply Personal and Political Journey: Minnette Vári’s ‘Of Darkness and of Light’
    • Producing Space: ‘Furniture’ at blank projects
    • Double Meanings: Svea Josephy’s ‘Satellite Cities’
    • Alienation, Home and Humanity: Jonathan Hindson’s ‘Home’
    • Giving Renewed Attention to Old Voices? ’50/50′ at the New Church Museum
    • An important departure for a real conversation: Zanele Muholi’s ‘Somnyama Ngonyama’
    • The Conundrums of Confessions: Johann Van Der Schijff’s ‘I to I’
    • Word Woes: Willem Boshoff’s ‘Reap the Whirlwind’
    • A brief study in white suburban fears: Diane Victor’s ‘One Pound of Flesh’
    • Don’t Stop, Play: @play at Everard Read
    • Brave, Resourceful and Current: newworkfifteen
    • Intersections in Germany: Colleen Alborough’s ‘Joburg’
    • The Contradictions of Living in the Past: Lizza Littlewort at 99 Loop
    • Somewhere between Where’s Wally? and the Kama Sutra: Marlene Steyn’s Interior Worlds
    • Senzo Shabangu: Joburg Blue Skies and Bright Lights
    • Transparent Things: ‘Sightings’ at KZNSA
    • The Stains of History: Haroon Gunn-Salie’s ‘History After Apartheid’
    • Both Uncanny and Marvellous: ‘Fantastic’ at Michaelis Galleries
    • Space Blankets and Selfie-Sticks: Nicole Weniger at Space Between
    • A Special Exhibit of horror vacui : Moses Tladi at ISANG
    • Jazz, Institutions and Relevance: Thomas’ ‘Young, Gifted and Black’
    • Whose ‘Death Speaks’?
    • Colour, Blur, Memory: Kate Gottgens’ ‘Infinite Loop’
    • Manuscript Truths: Adejoke Tugbiyele’s ‘Testimony’
    • The Light of Revelation: Jan-Henri Booyens’ ‘Whiteout’
    • Tensions Between Art and Site: Joburg Fringe 2015
    • Of Silver and Savages: Cinga Samson and Andrew Gilbert at Blank Projects
    • How do we look? Vernacular photography in the art space
    • Precarious new paintings: Jonah Sack’s Column
    • Dreams of love and summer: Portia Zvavahera’s I Can Feel It In My Eyes
    • Painting, digital imagery and text: Jessica Webster’s ‘Murderer’
    • Blessing Ngobeni: Audacious Commentary on Punch and Judy Politics
    • An Extravagant Vehicle for Fantastical Content: Athi-Patra Ruga’s The Elder of Azania
    • Jared Ginsburg’s Natural World
    • Dan Halter: Immigration and the Problematic of Representation
    • Sheets of Imprisonment: Turiya Magadlela’s ‘Kaffersheet’
    • Hazy Worlds: Alexia Vogel’s ‘Lost in Reverie’
    • Wearing Well: Lisa Brice’s ‘Well Worn’
    • The Forgery of Sculpture
    • The Gospel According To Broomberg And Chanarin
    • Wound Thread: Pierre Fouché’s lacemaking
    • Faith and Ambiguity: Igshaan Adams’ ‘Parda’
    • Investigating Kemang Wa Lehulere
    • Penny Siopis’ Time and Again
    • The Religion of Despair
    • Anyway, the Wind Blows
    • The Endless Absence of Délio Jasse
    • There’s something I must tell you
    • The Looming Presence of Olivié Keck
    • The Shelly Monster and Other Art Objects of Chris van Eeden
    • Once upon a time…
    • Kant’s Blom and Wallpaper
    • [Working Title]
    • The uncanny distance of Kirsten Lilford and Sarah Biggs
    • Processions of Migration with Sidy Diallo
    • Morning after Dark
    • Brave New World
    • Show ‘n Tell
    • Contemporary Art/South Africa
    • Student Review: No place like home
    • Student Review: Between Subject and Object
    • Into the BLACK
    • Assume Nothing – The painting of Ian Grose
    • Starless and Bible Black: Palliative Models of a Perfect Tense
    • As god wants and the devil likes it
    • Cultureless Purity
    • Mutinous cubes and delinquent rectangles. A look at Trevor Coleman’s abstract work from 1960-1977
    • Wayfinding
  • Category: Student Reviews
    • Sonic guides: Tracey Rose’s ‘Shooting Down Babylon’
    • Frame & Reframe: Johannes Phokela’s ‘Only Sun in The Sky Knows How I Feel (A Lucid Dream)’
    • Exploration of the self: Georgina Gratrix’s ‘The Reunion’
    • Opposites Attract: ‘I have made a place’ at Norval Foundation
    • An Ethereal Lunar Songbook: Athi-Patra Ruga’s ‘iiNyanga Zonyaka’
    • Physiological Space and Psychological Space: ‘I have made a place’ at Norval Foundation
    • Refreshing mix: Christiaan Conradie’s ‘Against A Narrow Heart’
    • Buffering between past and present: Callan Grecia’s ‘A Percy Shelly poem from Rome’
    • Victimless Fantasy: Christaan Conradie’s ‘Against A Narrow Heart’
    • The crisis of the individual: Meshac Gaba’s ‘Citoyen Du Monde’
    • Beauty in age: Christiaan Conradie’s ‘Against a Narrow Heart’
    • A ghost language: Isaac Julien’s ‘Fantôme Créole’
    • What we want to hear: Alfredo Jaar’s ‘The Rwanda Project’
    • Lives of Objects: Joel Adrianomearisoa in ‘Two Together’
    • Memory and the Fragments of Time: ‘Two Together’ at Zeitz MOCAA
    • Breaking news: Alfredo Jaar’s ‘The Rwanda Project’
    • Showing and Hiding: Alfredo Jaar’s ‘The Rwanda Project’
    • Duality of Consciousness: Isaac Julien in ‘Two Together’
    • Dark boxes: Alfredo Jaar’s ‘The Rwanda Project’
    • Vulnerability and strength: Helen Nabukenya’s Abalamu Baseesa Gwaka
    • Universality and art making: Kelvin Haizel’s BirdCall961: Appendix C
    • Some Other People’s Stuff: Patrick Bongoy’s Across the Currents
    • Your Discomfort is my Comfort: The Stellenbosch Triennale
    • The Lives of Fabric: The Stellenbosch Triennale
    • Mending the Many Me’s: Igshaan Adams’ ‘I am You’
    • Student Review: Putting the Love in Revolution [MATING BIRDS Vol.2]
    • Student Review: The Art is Political [MATING BIRDS Vol.2]
    • Student Review: ‘PEER’ at SMAC Gallery
    • Student Review: Kiluanji Kia Henda’s ‘In the Days of a Dark Safari’
    • Student Review: ‘A Continent Beyond’ at Gallery MOMO
    • Student Review: Kyle Morland’s ‘Assemble’
    • Student Review: Ed Young’s ‘Little’
    • Student Review: Jeanne Gaigher’s ‘Wieg’
    • Student Review: Wim Botha at Stevenson
    • Student Review: Igshaan Adams’ ‘Oorskot’
    • Student Review: Larita Engelbretcht’s ‘Met Ander Oë’
    • Student Review: Jill Trappler and Eunice Geustyn’s ‘Half Light and Shadow ’
    • Student Review: ‘The Quiet Violence of Dreams’
    • Student Review: ‘When Tomorrow Comes’
    • Student Review: Nolan Oswald Dennis’s ‘Furthermore’
    • Student Review: Giovanni Ozzola’s ‘adrift’
    • Student Review: Moffat Takadiwa’s ‘Across Borders’
    • Student Review: Olaf Hajek’s ‘Green Room’
    • Student Review: Mary Sibande’s ‘Right now’
    • Student Review: Sunstrum and Nkosi’s ‘TERRITORIES’
    • Student Review: ‘Edge of Silence’
    • Student Review: Leonce Raphael Agbodjelou’s ‘Egungun Masquerades’
    • Student Review: Adejoke Tugbiyele’s ‘Testimony’
    • Student Review: Russell Bruns’ ‘Candyland’
    • Student Review: Andrew Hart Adler’s ‘Emergence’
    • Student review: ‘Modern Masters’
    • Student Review: Lisette Forsyth’s ‘Love Thy Neighbour’
    • Dominique Edward’s Buikspraak/Gutspeak
    • Deborah Bell Immortalised
    • Grace Cross Explores Pleasuring Grounds
    • The White Boy Strikes Again and Again
  • Category: Things We Like
    • Investec Cape Town Art Fair Digital Event Coming in September
    • Lady Skollie Wins Tenth annual FNB Art Prize
    • Farewell to Good Good Friends: SMITH closes its doors
    • FNB Art Joburg moves online for 13th edition
    • Latitudes Art Fair launches Latitudes Online
    • Music to Social Distance to: Nomusa Makhubu
    • Music to Social Distance to: Lucienne Bestall
    • Music to Social Distance to: Kyu Sang Lee
    • Music to Social Distance to: Isabella Kuijers
    • Music to Social Distance to: Lungiswa Gqunta
    • Music to Social Distance to: Nobukho Nqaba
    • Music to Social Distance to: Tim Leibbrandt
    • Music to Social Distance to: Nkgopoleng Moloi
    • Music to Social Distance to: Sanell Aggenbach
    • Music to Social Distance to: Haroon Gunn-Salie
    • Music to Social Distance to: Simphiwe Ndzube
    • Music to Social Distance to: Lucy MacGarry
    • Music to Social Distance to: Vusumzi Nkomo
    • Music to Social Distance to: Brett Seiler
    • Music to Social Distance to: Georgina Gratrix
    • Music to Social Distance to: Thuli Gamedze
    • Music to Social Distance to: Ed Young
    • Music to Social Distance to: Misha Krynauw
    • Music to Social Distance to: Dan Halter
    • Music to Social Distance to: Sue Williamson
    • Music to Social Distance to: Khanya Mashabela
    • Music to Social Distance to: Keely Shinners
    • Music to Social Distance to: Sean O’Toole
    • Music to Social Distance to: Percy Mabandu
    • Inaugural Stellenbosch Triennale opens 11 February
    • Dialogue on Ernest Mancoba: Symposium and Art Festival
    • Standard Bank Young Artists for 2020 Announced
    • Billie Zangewa Announced as Featured Artist for FNB Joburg Art Fair 2018
    • Keep Alzheimer’s and dementia at bay with art classes
    • Mary Sibande I Recipient of the Smithsonian African Arts Award
    • Warren Editions POP UP // JOBURG
    • William Kentridge | Available exclusively through ArtThrob
    • List of artists participating in Rencontres de Bamako
    • The Rhinos Are Coming | Call for submissions
    • 1:54 London 2017 | Announcing the Galleries
    • Call for applications | ROOM residencies
    • Open Call | Residency
    • AVA Gallery | Call for submissions
    • Prime views: Strauss & Co sale features exceptional landscapes by SA masters
    • Applications open for the 2017 Tierney Fellowship at the Market Photo Workshop
    • The Telegraph reviews Lisa Brice’s solo at Stephen Friedman
    • Orms Cape Town School of Photography | Call for Applications
    • Video: an interview with Sue Williamson by TRT World
    • Thupelo Cape Town | OPEN CALL 2017
    • Call for Proposals | 3rd Space Symposium: Decolonising Art Institutions
    • Open Call | apexart Franchise Exhibition Program 2017-18
    • Warren Editions | 2017 Workshop Schedule!
    • Call for Applications | Greatmore Studio Space
    • Call for Applications | Visible White Photo Prize 2017
    • ALMA MARTHA: Open Call to Artists
    • Kids Holiday Workshops @ Warren Editions
    • Nelson Mandela Metropolitan Art Museum | Children Holiday Workshops!
    • C& | NGO – Nothing Gets Organised
    • PUNCTURE POINTS | Open Call for Artwork Submissions
    • Candice Breitz And Mohau Modisakeng To Represent South Africa At The 57th Venice Biennale In 2017
    • Standard Bank Young Artist 2017 Award Winners Announced
    • Thursdays Projects: Josh Ginsburg | WAM & Linda Givon
    • Warren Editions | Intaglio Workshop
    • The Guardian | Out of South Africa: how politics animated the art of William Kentridge
    • The Southern Summer School | Call for Applications
    • Call for Submissions | Group proposal for funding assistance
    • Call for Applications | Africa Centre: Artists in Residency (AIR) Programme
    • BASA Awards Finalists Announced
    • Nolan Oswald Dennis wins FNB Art Prize, 2016
    • FT/OppenheimerFunds Emerging Voices Awards | Shortlist Announced
    • Future Generation Art Prize: Competition Starts For World’s Largest Open Entry Art Prize
    • Mohau Modisakeng at National Arts Festival 2016
    • WHATIFTHEWORLD and Southern Guild Announce new Johannesburg Space
    • 1:54 London 2016 | Participating Galleries Announced
    • Mail & Guardian’s 200 Young South Africans 2016 Announced
    • inreallife.gif
    • Warren Editions | Reductive Woodcut Workshop
    • The Art Market in Four Parts
    • Robin Rhode’s 16 June Memorial
    • Fak’ugesi Digital Africa Residency | Call for Artists
    • RAW Academy | Call for Applications
    • Gerald Kraak Award | Call for Submissions
    • Cape Town Art Fair 2017 | Call for Entries
    • Black curators on Black Modernisms
    • Ice Lenses, Seascapes and No Place
    • Warren Editions | CMYK Linocut Workshop
    • Aesthetic Art Prize | Call for Submissions
    • AVA | Call for Submissions & Proposals
    • New Breed Art Competition
    • Hyperallergic | Locating William Kentridge’s Massive Mural in the Roman Landscape
    • FT/OppenheimerFunds Emerging Voices Awards | Call for Submissions
    • #ULTRACONTEMPORARY#EMERGENCYART#AFRICA | Call for Participants
    • Photography Incubator Programme at the Market Photo Workshop | Call for Applications
    • Mail & Guardian | All’s fair in art out of Africa
    • humanities.uct.ac.za | Sethembile Msezane Interview: The Art of the public performance
    • Lady Skollie Taking on Rape Culture
    • Kooshk Residency | SA artists: apply by 10 March
    • Artsy | Why the “African Perspectives” Section Is the Number One Reason to Visit The Armory Show
    • Artist Proof Studio | Papermaking Course
    • Wallpaper* | Michele Mathison
    • Candice Breitz: Ponderosa
    • Live Architecture: The 55 Minute Hour
    • Apply for Studio Space at Greatmore Studios
    • Zanele Muholi: Lectures in Photography
    • WAM | Internship Oppertunity
    • Travel: A Group Exhibition curated by Between 10 and 5
    • Art Week Cape Town 2016
    • #TechtalkCPT: Tech and Innovation in Art
    • ART AFRICA interviews Burning Museum
    • Creative Nestlings: The Rise of Young Black/Brown Photographers 1
    • Chimurenga / PASS: Pop Up at the AVA
    • Sue Williamson at Tate Modern
    • Open for submission: SA Taxi Foundation Art Award
    • Throwback: That time David Bowie hung out with Kate Gottgens, Barend De Wet and Wayne Barker in Joburg
    • Open for Submission: Barclays L’Atelier
    • Skira launches ‘Sue Williamson: Life and Work’
    • Open Streets Cape Town | 17 January 2016
    • William Kentridge at Marian Goodman Gallery and Goodman Gallery Joburg
    • artnet news | Ai Weiwei on Instagram documenting the Migrant Crisis
    • artnet news | Ben Davis Selects the Most Important Art Essays of the Year
    • Ruth Prowse Graduate Exhibition 2015
    • Michaelis Graduate Exhibition 2015
    • Artists and Curators invited to apply for assistance
    • Stellenbosch Graduate Exhibition: Gradex 2015
    • Wits School of Arts Graduate Exhibition: newworkfifteen
    • artnet News | The Future of Art Criticism and News Online According to Four Innovative Editors
    • Lerato Bereng Podcast with Sihle Mthembu
    • Hyperallergic | “All Lives Are Black Lives”: Examining Race in South Africa
    • Lizza Littlewort’s Absurdist Paintings
    • Thupelo Celebrates 30 Years of Visual Arts Workshops
    • Johannesburg Art Gallery Centenary Celebrations
    • Simon Gush Podcast with Sihle Mthembu
    • Tea at Anstey’s
    • Johannesburg Art Gallery 1915 – 2015
    • Against Time: The Tierney Fellowship Project in South Africa in Bamako
    • Texx and the City interview Dookoom about ‘Dirty’ music video (directed by Pieter Hugo)
    • Take a walk at Pruitt-Igoe
    • Ed Young gets deep and meaningful with Between 10 and 5
    • GradEx Auction 2015
    • Dan Halter’s ‘V is for Vendetta’ at FNB Art Fair
    • Between 10and5 | FNB Joburg Art Fair: Special Projects & more to look forward to
    • Art Week Joburg 2015 | 05-13 September
    • Poetics of the Cat Video
    • NEWWWORK15: Graduate Exhibition
    • The Usual Suspect: Exhibition Public Talk
    • Why Do So Many Art Galleries Lose Money?
    • Namibian Zine
    • Artnet | Hotels with amazing art collections
    • Athi on Athi Action
    • Michaelis Galleries | Call for Proposals
    • Where hypervisibility meets true transformation in the arts
    • Johannesburg Art Gallery 1915 – 2015
    • Artsy | Igshaan Adams
    • Artsy | Haroon Gunn-Salie
    • The Design Isn’t Firm: John Rapko Interrogates Curators Language
    • Which Came First: Errol Morris’ essay on Fenton
    • Taiye Selasi: stop pigeonholing African writers
    • National Arts Festival 2015
    • Esther Mahlangu Everywhere
    • Goodman Gallery makes artnet.com’s list: 11 of the top gallery booths at Art | Basel 2015
    • Art Basel | Art Net News
    • Work is Never Done
    • Changing Focus: the Art and Activism of Omar Badsha
    • Ponte City | Documentaries
    • Africa and Venice
    • Stormy Waters
    • Gallery MOMO opens in Cape Town
    • Goodman Gallery | Multimedia page
    • Settler Colonial Art History
    • Artsy | A Short History of the Venice Biennale
    • Afripedia
    • Chimurenga Chronic: New Cartographies
    • The Critter
    • ArtReview Interviews Venice Bound Artists & Curators
    • JM Coetzee: Universities head for extinction
    • The Day of the Jekyll
    • Labour & Guggenheim Abu Dhabi
    • Myths of Harare
    • Artsy | Pieter Hugo
  • Category: where we're going_
    • Investec Cape Town Art Fair 2020: Full Talks Programme Announced
    • Investec Cape Town Art Fair 2019 Announces TOMORROWS/TODAY Artists
    • Frances Goodman | offstage
    • Ed Young | Bad Gallerist.
    • 9 More Weeks | Stevenson | Johannesburg
    • Helen Sebidi | Norval | Cape Town
    • Yinka Shonibare, MBE | Ruins Decorated | Goodman JHB
    • Kyle Morland | Blank Projects
    • Serge Alain Nitegeka | Innate Black | Stevenson | Cape Town
    • Michael Taylor | BOY BOAT BAT | Whatiftheworld Gallery
    • AVA Gallery | Nando’s Creative Exchange and ArtReach
    • Marsi van de Heuvel | Transition | SMITH Gallery
    • Abri de Swardt | Ridder Thirst at POOL
    • Moving Bodies Workshop at WAM
    • Deborah Poynton at Stevenson
    • InterseXion at Iziko South African National Gallery
    • Lhola Amira at SMAC Gallery
    • Ubulungiswa/Justice at the AVA Gallery
    • Black Chronicles IV at VIAD
    • Nicole Clare Fraser at the Orms Cape Town School of Photography
    • Alfred Thoba at WAM
    • Asha Zero and Peter Clarke at SMAC Gallery
    • Dan Halter at WHATIFTHEWORLD
    • Nirox Winter Sculpture Exhibition 2018
    • Candice Breitz at Goodman Gallery
    • Floating Reverie Post Digital Exhibition & Dead Town at Kalashnikovv
    • Igshaan Adams at blank
    • Wallen Mapondera, Simon Stone, Mostaff Muchawaya at SMAC
    • 1:54 Marrakech 2018 | FORUM Announcement
    • AVA Gallery | FEBRUARY EXHIBITION OPENINGS, MEMBERSHIP & MORE
    • Thierry Oussou at Stevenson
    • Kemang Wa Lehulere at Stevenson
    • William Kentridge at Goodman Gallery
    • Kate Gottgens at SMAC Gallery
    • SS17 at Gallery MOMO
    • Athi-Patra Ruga at WHATIFTHEWORLD
    • Benjamin Skinner at the Daville Baillie Gallery
    • Group show at Gallery MOMO
    • John Murray at WHATIFTHEWORLD
    • Maaike Bakker at Kalashnikovv Gallery
    • Throughlines at Greatmore Studios
    • Spirit at Kalashnikovv Gallery
    • Group show at SMAC Gallery
    • Cameron Platter at blank
    • Marlene Steyn at SMAC Gallery
    • Kenrick McFarlane at Gallery MOMO
    • Ayanda Mabulu, Vusi Beauchamp and Maja Malevic at Kalashnikovv Gallery
    • Gideon Mendel at WAM
    • Diane Victor at David Krut
    • 1:54 London
    • Mongezi Ncaphayi, Cyrus Kabiru, Lhola Amira at SMAC Gallery
    • Tony Gum at Christopher Moller
    • WHERE IS KOVNO?

    • Group exhibition at Gallery MOMO
    • Mixed Metaphors at Kalk Bay Modern
    • The AVA in September and October
    • Georgina Gratrix at SMAC Gallery
    • Kitso Lynn Lelliott at ROOM
    • Dane Stops at Priest
    • Mohau Modisakeng at WHATIFTHEWORLD
    • Todd Gray at Gallery MOMO
    • Kitso Lynn Lelliott at ROOM
    • You & I at A4 Arts Foundation
    • Ronald Muchatuta at The AVA Gallery
    • WAM: Family Talkabout: Special Screenprint Edition
    • Craig A Smith at Kalashnikovv Gallery
    • NIGHT by ROADHOUSE
    • Nick Cave film screening at Warren Editions
    • Peju Alatise Wins FNB Art Prize 2017
    • Ed Young at SMAC Gallery
    • Strauss & Co celebrates Art Month at Welgemeend on First Thursdays
    • Thoroughfair at Gallery MOMO
    • Hugh Byrne at Warren Editions
    • ‘Exhibition Histories and Afrofictions’ at Michaelis Galleries
    • Andrew Kayser at Kalashnikovv Gallery
    • Warhol Unscreened at WAM
    • Bianca Baldi at the Schirn Kunsthalle Frankfurt
    • Exhibition Openings at the AVA Gallery
    • Audrey Salmon at ROOM
    • WAM this weekend
    • What Do They Call Me at Gallery MOMO
    • Alexandra Karakashian at SMAC Gallery
    • Michele Mathison at WHATIFTHEWORLD
    • Pierre Vermeulen and Mostaff Muchawaya at SMAC
    • ‘Dear History: It’s Not Me, It’s You’ at LKB/G, Hamburg
    • WAM Talkabout
    • One Colour at a Time at WAM
    • Museum Night V&A Waterfront
    • Group exhibition at Gallery MOMO
    • Serge Alain Nitegeka at Stevenson
    • Ruann Coleman and Wallen Mapondera at SMAC
    • Ruby Swinney at Whatiftheworld
    • Looking After Freedom at Michaelis Galleries
    • AVA Gallery | Renovations and new opening hours
    • Michael MacGarry at WAM
    • Exhibition and Open Studio Day at Warren Editions
    • Themba Shibase at SMAC Gallery
    • Culture Connect SA | Art in Joburg
    • Angela Ferreira’s ‘South Facing’ at JAG
    • Senzeni Marasela & Asemahle Ntlonti at blank projects
    • Chinafrika Conference
    • Jessica Webster at Goodman Gallery
    • WAM – What’s on this month: April 2017
    • Robert Hodgins and Michael Taylor at The Toffee Gallery, Darling
    • Wits Art Museum Annual Lecture Series 2017
    • Mia Chaplin at WHATIFTHEWORLD
    • Blake Daniels at ROOM
    • Dorothee Kreutzfeldt at blank projects
    • Nelson Mandela Metropolitan Art Museum | What’s On
    • Roadhouse: Kickstarting a new public photography initiative
    • Great Talks 2017 at Greatmore Studio
    • Elize Vossgatter at SMITH
    • New ceramic sculptures by Louise Linder and Malcolm Payne
    • Jody Paulsen at SMAC Gallery
    • Abantu beMendi at UCT
    • Sethembile Msezane at Gallery MOMO
    • Cape Town Art Fair announces Special Projects and Talk Programme Details
    • Liz Crossley at the William Humphreys Art Gallery
    • Bogosi Sekhukhuni at Stevenson
    • Sikhumbuzo Makandula at ROOM
    • Lakin Ogunbanwo at WHATIFTHEWORLD
    • South-South at Goodman Gallery
    • Jake Aikman at SMAC
    • Robyn Penn at Barnard Gallery
    • ‘Lifescapes: Six Object Biographies’ at WAM
    • Stephen Allwright & ‘Folly’ at SMITH
    • Robin Rhode at Stevenson
    • Jared Ginsburg @ blank
    • Verging Thresholds @ Eclectica Design & Art
    • The Promise of Now @ Glen Carlou
    • Figure @ blank projects
    • Giovanni Ozzola and Asha Zero @ SMAC Gallery
    • Re(as)sisting Narratives @ District Six Museum Homecoming Centre
    • Nicholas Hlobo @ Stevenson
    • Newwork16 @ WAM
    • 14th Annual Affordable Art Show 2016 @ artSPACE durban
    • Upcoming at the AVA Gallery!
    • Enter Campbell Lak
    • 3rd Synchronised Running Club Run | by Sober & Lonely
    • Shapes of our Stories @ Artist Proof Studio
    • The Northern Winter Workshops Upcoming Public Events: 27 – 31 October
    • The Northern Winter Workshops Upcoming Public Events: 17 – 23 October
    • Jeanne Gaigher at SMITH
    • Rowan Phillips at artSPACE durban
    • Kyle Morland at blank
    • Wim Botha at Stevenson
    • SA Cultural Observatory Workshop
    • undefined, Dead Bunny Society
    • ‘Liminal Geographies’ at Barnard Gallery
    • The Louis Moholo-Moholo Legacy Project
    • Ronald Muchatuta & Guto Bussab at AGOG Gallery
    • Mandy Jonston’s ‘In the presence of absence’, a solo exhibition at Absa Gallery
    • Strauss & Co’s Auction of Important South African and International Art, Decorative Arts, and Jewellery
    • William Kentridge: ‘Thick Time’ @ Whitechapel Gallery
    • 25 Years of The Artists’ Press – Limited Edition Print Pop Up Shop
    • ‘Half Light and Shadow’ by Eunice Geustyn and Jill Trappler, at the AVA Gallery
    • ‘Creator Curator / Curator Creator’ at ABSA Gallery
    • Ubu and the Truth Commission
    • Sue Williamson at Johannes Stegmann Gallery
    • WHATIFTHEWORLD and Southern Guild open in Joburg
    • Culture Connect SA | Sue Williamson, and Andrea Lewis at Iziko SANG
    • ‘Flora – Old and New’ at the UCT Irma Stern Museum
    • EMBRACE TIGER & RETURN TO MOUNTAIN: 04 August
    • Campbell Lak: New Concepts – Art De Sade Gallery, 04-25 August
    • Alexandra Ross: How to Boil an Egg – Kalashnikovv Gallery, 28 -30 July
    • Orchestrated Freedom: ROOM Carpet Series/Conversations – 23 July
    • FNB Joburg Art Fair 2016 | Exhibitor List & Focus Announced
    • Bring Your Own Beamer
    • Turbine Art Fair: 2016
    • RealCity Group Photographic exhibition
    • PRiNT & MAKING: Events at AVA Gallery
    • National Arts Festival 2016
    • Art Basel & LISTE 2016
    • Popty 2015
    • Sue Williamson | Book Launch
    • Making Space: Panel Discussion
    • Launch of New Assemblage Space
    • A South African Art First: Original Picasso Drawing to be Auctioned in Cape Town
    • Dak’Art 2016
    • The 3rd Space Symposium: Decolonisation and the Creative Arts
    • Free From My Happiness
    • Richardt Strydom: Bleek
    • Important Stern Comes Home for Strauss & Co Auction
    • Jnr: Bad Habitus
    • 1:54 Special Projects 2016 | A curated series of events and project collaborations
    • Robin Rhode: The Moon is Asleep
    • Buhlebezwe Siwani: Indlovukazi & Sikhumbuzo Makandula: In Search of a Nation
    • Culture Connect: Zakhor! | Gallery supper, Tour & Vilnius art
    • Eames: the Architect and Painter
    • A LOT
    • iQhiya at the AVA
    • Wilhelm Saayman: This Disguise
    • Public Lectures on Black Archives and the Role of Artists in Society by Lefifi Tladi
    • Infecting the City 2016
    • Falling Into One Another | Ruth Prowse
    • Poetics of Relation / Slippery Sessions
    • Nicholas Rawhani: Public Places
    • Gerald Machona | 20th Sydney Biennale
    • Mikhael Subotzky | WYE at SCAF, Sydney
    • Bianca Baldi | AV Festival: Seaton Delaval Hall, UK
    • Know the Show: WAM Lecture Series 2016
    • 1 night 2 shows
    • 2016 ACT | UJ Arts & Culture Conference
    • LAST DAY: Aids Charity Auction at Bonhams in London | 15 March
    • WAM Lecture | 17 March
    • Jabulani Dhlamini: Recapture
    • We felt a Rumble, you won’t believe what happened next
    • RHODES MUST FALL Exhibition @ CAS, UCT
    • ArtMode | 5th Edition
    • Diva Talk: It is Difficult – with Alfredo Jaar
    • Cape Town Art Fair
    • #theopening
    • August House at Hazard Gallery
    • HERE WE / Dorothee Kreutzfeldt at ROOM Gallery
• Category: Shop Feature
  • Portfolio 2: Slices of history
  • Music, History and Ruin
• Category: Tertiary
  • Category: Archive
    • Archive Dive: Sailing Forth
  • Category: Books
    • Restless Optimism: Ashraf Jamal’s book ‘In the World’
    • Wide Angle: Photography as Participatory Practice – eBook Launch
    • Memory Card Sea Power launches at Fourthwall Books
    • OMFIF | Call for Submissions
    • Ivan Vladislavic | 101 Detectives
    • The Memory of Things Present
    • South Africans sweep Deutsche Börse Photography Prize shortlist
    • Student Review: Zapiro’s Democrazy
    • Student Review: Groot Geraak
    • Developing Characters: the Kitty’s Photo Studio Archive
  • Category: Design
    • Decapitating Discourse: MJ Turpin’s ‘take me apart.’
    • Ha! Ha! I Know Who You Are; Beneath Those Fine Clothes: The Art of Lesiba Mabitsela
    • Transformation @ Southern Guild Gallery
    • ‘Out of the Fire, into the Light’ at Association of Arts Pretoria
    • PPC Imaginarium Awards | Call for Entries
    • Launch of the brand-new GAP: A Saint-Gobain Urban Lounge
    • Ralph Borland and Cher Potter | African Robots and the V&A Museum
    • Ralph Borland | African Robots in London
    • August House | Studio space in the Joburg CBD
    • Open Day! Black River Studio
    • Public Art Competition
  • Category: Interview
    • Memories of Gender: ‘It’s rude to stare but you’re welcome to see’ at Michaelis Galleries
    • Interview | SOSESAME Gallery
    • Interview | Elke-Vera Kotowski
    • Hendes & Graff | Rating African Art
    • Interview | Candace Marshall-Smith
  • Category: New Media
    • Karla Nixon ‘Once More’ at artSPACE durban
    • GIPCA | INTERSECT: class, race, gender
    • Alfredo Jaar at WAM
    • Student Review: ‘Demo Tape’
    • Student Review: Julia Rosa Clark’s ‘Two Works’
    • Tate | South African Artists On Screen
    • There’s Something I Must Tell You
    • New Museum’s 2015 Triennial
    • Joburg Photo Umbrella Open | Call for Proposals
  • Category: Painting
    • Student Review: Misheck Masamvu’s ‘Still Still’
    • Student Review: Marlene Steyn’s ‘Your Skin Is Not The Best Hiding Place’
    • Student Review: Sasha Hartslief’s ‘New Works’
    • Student Review: Moshekwa Langa’s ‘Ellipses’
    • Between 10and5 | An Interview with Portia Zvavahera
    • Between10and5 | An Interview with John Murray
    • Meleko Mokgosi at The School, New York
    • SAS Somerset
    • Bringing Back Rothko’s Harvard Murals with Light
    • Lady $kollie | Images from her Tumblr
    • The Atlantic: In Mexico, Artists Can Pay Taxes With Artwork
  • Category: Performance
    • Skattie Celebrates Buhlebezwe Siwani @ WHATIFTHEWORLD/GALLERY
    • SITUATION | The Point of Order
    • TEDxUCT | Jay Pather
    • Basket Case
  • Category: photography
    • Zanele Muholi at The Stedelijk Museum
    • 10 Years of ‘Faces and Phases’
    • Student Review: Roger Ballen’s ‘The House Project’
    • C& | Santu Mofokeng Wins Fondazione Fotografia Modena/Sky Arte HD Prize 2016
    • Student Review: Jodi Bieber’s ‘Between Darkness and Light’
    • The New York Times Magazine | Zanele Muholi
    • Buy Penelope Umbrico’s TV portraits on Gumtree
    • Santu Mofokeng’s Graves at FNB Art Fair
    • Hyperallergic | Zanele Muholi
    • Fashioning a Visual Vocabulary: Omar Badsha’s Photographs
  • Category: Printmaking
    • Warren Editions | Intaglio Process Workshop
    • VISI | Morné Visagie
    • Black River Studio | Workshop 27 June
    • Warren Editions | Workshops
    • At the AVA Gallery – Forming Impressions: The Ghost in the Machine
  • Category: Sculpture
• Category: Uncategorized
  • Group exhibition at Dead Bunny Society
  • SMAC Gallery opens in Joburg | 3 September 2016
  • #ConversationsonCreativity 14.0
  • Frieze, New York 2016
  • Armory Week 2016 | Who is Where
  • GRID Cape Town Photo Biennial 2015
  • Interpret Durban 5
  • Strategic understatement: Jo Ractliffe and Simon Gush at Stevenson

Products

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